Alan Moore
English comic book writer, novelist, short story writer, screenwriter, musician, artist, and magician
Alan Moore
Alan Oswald Moore is an English writer primarily known for his work in comic books, a medium where he has produced a number of critically acclaimed and popular series, including Watchmen, V for Vendetta, and From Hell. Frequently described as the best graphic novel writer in history, he has also been described as "one of the most important British writers of the last fifty years". He has occasionally used such pseudonyms as Curt Vile, Jill de Ray, and Translucia Baboon.
Biography
Alan Moore's personal information overview.
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Photo Albums
Popular photos of Alan Moore
December 03, 2010
Pictured: Alan Moore Portrait of an Extraordinary Gentleman signed by Alan Moore. SUPERHERO AUCTION OFFERS CHANCE TO BE IN BATMAN COMIC An auction is offering the chance for the highest bidder to sidekick ass alongside the Dark Knight in a Batman comic. L
March 13, 2009
**File Photos** COMIC BOOK ALLIANCE FIGHTS GOVERNMENT THREAT TO SUPERHEROES The UK comic book industry has bandied together to campaign against proposed new government legislation which would outlaw hit mags. The controversy surrounds The Coroners and Jus
March 09, 2009
Exclusive-Alan Moore - Archival Pictures - PHOTOlink - 106795
March 13, 2000
COMIC BOOK ALLIANCE FIGHTS GOVERNMENT THREAT TO SUPERHEROESThe UK comic book industry has bandied together to campaign against proposed new government legislation which would outlaw hit mags.The controversy surrounds The Coroners and Justice Bill, which a
March 13, 1995
COMIC BOOK ALLIANCE FIGHTS GOVERNMENT THREAT TO SUPERHEROES The UK comic book industry has bandied together to campaign against proposed new government legislation which would outlaw hit mags. The controversy surrounds The Coroners and Justice Bill, which
March 13, 1994
COMIC BOOK ALLIANCE FIGHTS GOVERNMENT THREAT TO SUPERHEROES The UK comic book industry has bandied together to campaign against proposed new government legislation which would outlaw hit mags. The controversy surrounds The Coroners and Justice Bill, which
June 30, 1980
COMIC BOOK ALLIANCE FIGHTS GOVERNMENT THREAT TO SUPERHEROES The UK comic book industry has bandied together to campaign against proposed new government legislation which would outlaw hit mags. The controversy surrounds The Coroners and Justice Bill, which
January 01, 1978
COMIC BOOK ALLIANCE FIGHTS GOVERNMENT THREAT TO SUPERHEROES The UK comic book industry has bandied together to campaign against proposed new government legislation which would outlaw hit mags. The controversy surrounds The Coroners and Justice Bill, which
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News
News abour Alan Moore from around the web
In 'Jerusalem,' Nothing You've Ever Lost Is Truly Gone
NPR - 5 months
The house Alan Moore was born in was torn down in 1969 — along with most of the rest of his neighborhood. But in his new novel, Jerusalem, the legendary comics creator brings it all back to life.
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NPR article
Theena Kumaragurunathan on Books and Writing
Huffington Post - 7 months
Theena Kumaragurunathan is a writer who currently works in mass communications. He lives in Colombo, Sri Lanka. Your book, First Utterance, was published earlier this year. Would you tell us a little bit about it? First Utterance is a novella made up of short stories, three poems and a play, all linked thematically and narratively to a fictional nation called "Mirage". Essentially, the novel traces the mythological beginnings of Mirage, before diving into a contemporary society akin to modern Sri Lanka -- where madmen are kept away from society because the religious and political authorities feel that madmen can bring about the total annihilation of their way of life. What kind of feedback have you gotten so far? It's been great so far. Quite a few publications and local critics have called it one of the more ambitious debuts and a breath of fresh air from the standard fare of Sri Lankan writing. From a non-critic's standpoint, what has been most satisfying for me is the g ...
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Huffington Post article
The complicated, controversial history of 'Batman: The Killing Joke'
LATimes - 7 months
On July 25 and 26, Warner Bros. Animation’s “Batman: The Killing Joke” — based on the 1988 graphic novel written by “Watchmen’s” Alan Moore with career-defining artwork by Brian Bolland — played in 1,325 theaters across the country, grossing $3.7 million. The $3.1 million it made on its first day...
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LATimes article
From silver screen to tablet: The best movies on HBO Go and HBO Now
Yahoo News - about 1 year
This list is continually updated to reflect recent availability and to showcase films currently streaming on HBO’s premium services, HBO Go and HBO Now. True to its name, HBO has always aimed to bring the box office into people’s homes. That is easier than ever thanks to their streaming services HBO Go and HBO Now. There are many movies on HBO’s platform, however, not all of them necessarily qualify as “great.” If you feel like streaming a movie and don’t want to waste your time on dreck, check out our list of the very best HBO has to offer. Related: Here’s what’s coming to HBO in February and what’s going away Choose a genre: Comedy Drama Action/Sci-fi Next Page: Comedy… Choose a genre: Comedy Drama Action/Sci-fi Comedy Beetlejuice Please enable Javascript to watch this video Tim Burton’s best films often center around a clever premise. In Beetlejuice , married ghosts Adam (Alec Baldwin) and Barbara Maitland (Geena Davis), having died in a car accident, are distressed to find that the ...
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Yahoo News article
The Most Important Skill you can Ever Learn!
Huffington Post - about 1 year
The single most important skill you will ever learn is in itself an oxymoron. It is dependent on your ability to vanquish procrastination and achieve something today with view to tackling the unknown that comes tomorrow. As I've written previously it requires the drive to tackle the modern world head on: doing nothing has never been so easy. Got a spare few hours? They can disappear as quickly as unlocking your smart phone. For me then this affords opportunity for those who have taught themselves the skill I allude to; to learn how to learn and have the desire to maniacally do so for the rest of your life. The ability to employ autodidacticism in your every day life is the single most valuable skill you can ever acquire and employ. Self-directed learning enables you to learn the skills that you are most passionate about and employ them in innovative way to achieve your goals and ambitions. We no longer need schools, universities or teachers to spoon feed us the information you are p ...
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Huffington Post article
Why Wonder Woman Matters
Huffington Post - over 1 year
CBS's Supergirl is a great addition to primetime, but it is clearly a test pilot project. Given the lackluster attitude of the studios towards female super-projects, Supergirl is an opening salvo towards Warner Bros.' slated 2017 feature, Wonder Woman as they try to figure out how to package a female lead. The show is a proverbial toe in the water to determine how well a female lead in capes and boots - again, like Wonder Woman - will do before the studios get behind larger projects. Warner Bros. is inevitably trying to work out any problems with the blonde heroine, to run interference, and observe how other female-driven stories will play out before they put a larger project in theaters. Later this month, Jessica Jones will premiere on Netflix. Which one will audiences respond to more? The buoyant teenager in her cousin's super shadow or the gritty, sexualized noir of Jones? Female superheroes have historically been a tightrope walk. Most of the criticism directed at last summer' ...
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Huffington Post article
People With Alzheimer's Link May Plan More for Retirement
Wall Street Journal - over 1 year
Researchers study how increasing awareness of genetics and health histories affects financial planning.
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Wall Street Journal article
Bowls: David becomes Goliath
Isle Of Man Today - almost 2 years
David ‘Drof’ Bradford etched his name into the record books as he beat Trevor Quayle 21-15 to win the Canada Life Manx Championship on Sunday. The final was a breath-taking conclusion to an enthralling two days action, with both players playing their part. Onchan player Bradford, who is fast becoming a colossus of the local game, added the coveted trophy to his ever -increasing collection and, despite being only 30-years-old, will be relieved to have got this monkey off his back, as many past greats have failed to get their hands on the elusive Holy Grail of Manx bowls. In the final, despite an even start, Bradford eventually moved through the gears and surged into a 16-8 lead over Quayle who had played like a champion all day. Just when it looked like he might be running away with it, his opponent dug deep and, using all his resolve, mounted a spirited fightback. It was not to be for Port st Mary’s Quayle and, after seeing one of his best leads beaten at 20-15 adrift, he saw ...
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Isle Of Man Today article
Thai Protesters Plan More Demonstrations
Wall Street Journal - about 3 years
Thai protesters plan to surround more government offices across the country Wednesday, underscoring their determination not to be intimidated by a special security law imposed Monday.
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Wall Street Journal article
Neil Gaiman’s ghost video game ‘Wayward Manor’ prizes puzzles over dialogue
LATimes - over 3 years
#photogallery-wrapper{width:100%;background:#000;min-height:450px;} #photogallery{background:#000;width:600px;margin:0px auto;min-height:450px;} .photogalleryloader{} #photogallery div.galleryitem{width:100%;margin:0 0 30px;} #photogallery div.galleryitem p{text-align:left;margin:5px 0px;padding:0 10px;} #photogallery div.galleryitem p.galleryCaption{padding-top:5px;border-top:1px #333 solid;} #photogallery div.galleryitem img{margin:0 auto;border:none;} #photogallery .galleryCredit{letter-spacing:1px;font-size:.75em;text-transform:uppercase;} The prolific Neil Gaiman is well known for his work in fantasy. His writing has won many awards including the Newbery Medal, the Nebula Award and the Carnegie Medal in Literature. (Jennifer S. Altman/Los Angeles Times) http://herocomplex.latimes.com/tv/neil-gaiman-returns-to-neverwhere-and-graveyard-book-movie/attachment/126027-ca-0716-ca-stardu/ 1 Link Gaiman's first book was his 1984 biography of the Britis ...
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LATimes article
School Named For Former KKK Leader Reconsiders Its Legacy
NPR - over 3 years
Nathan Bedford Forrest High School in Jacksonville, Fla., was named decades ago for a Confederate hero — who was also the first grand wizard of the Ku Klux Klan. More than 160,000 people have signed a petition urging a name change, but the current name has also drawn passionate support. » E-Mail This     » Add to Del.icio.us
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Timeline
Learn about memorable moments in the evolution of Alan Moore
    LATE_ADULTHOOD
  • 2014
    Age 60
    In 2014 Moore announced that he was leading a research and development project to "create an app enabling digital comics to be made by anyone".
    More Details Hide Details Electricomics premiered in 2015. It is an open source app for reading and creating interactive comics. Moore wrote the story Big Nemo, a dystopian sequel to Winsor McCay's Little Nemo. It was illustrated by Colleen Doran and animated by Ocasta Studios with colors by Jose Villarubia. The Guardian chose it as one of the best iPhone/iPad apps of 2015. Pipedream Comics named it the Digital Comics App of the Year. In a number of his comics, where he was taking over from earlier writers, including Marvelman, Swamp Thing, and Supreme, he used the "familiar tactic of wiping out what had gone before, giving the hero amnesia and revealing that everything we'd learned to that point was a lie." In this manner he was largely able to start afresh with the character and their series and was not constrained by earlier canon. While commenting on the artistic restrictiveness of serialised comic books, artist Joe Rubinstein gave the example that a comics creator would be limited in what he could do with Spider-Man, and added, "unless you're Alan Moore, who would probably kill him and bring him back as a real spider or something".
  • FIFTIES
  • 2012
    Age 58
    In a 2012, interview with LeftLion magazine, Alan Moore was asked to put a figure on how much money he had turned down by refusing to be associated with these film adaptations.
    More Details Hide Details He estimated it to be 'at least a few million dollars' and said: "You can't buy that kind of empowerment. To just know that as far as you are aware, you have not got a price; that there is not an amount of money large enough to make you compromise even a tiny bit of principle that, as it turned out, would make no practical difference anyway. I'd advise everyone to do it, otherwise you're going to end up mastered by money and that's not a thing you want ruling your life." Since his teenage years Moore has had long hair, and since early adulthood has also had a beard.
    Moore said in an interview in 2012 that he had seen neither film.
    More Details Hide Details In 2006, a film adaptation of Moore's V for Vendetta was released, produced by The Wachowskis and directed by James McTeigue. Producer Joel Silver said at a press conference for the Warner Bros. ' V for Vendetta that fellow producer Lana Wachowski had talked with Moore, and that "Moore was very excited about what Lana had to say." Moore disputed this, reporting that he told Wachowski "I didn't want anything to do with films... I wasn't interested in Hollywood," and demanded that DC Comics force Warner Bros to issue a public retraction and apology for Silver's "blatant lies". Although Silver called Moore directly to apologise, no public retraction appeared. Moore was quoted as saying that the comic book had been "specifically about things like fascism and anarchy. Those words, 'fascism' and 'anarchy,' occur nowhere in the film. It's been turned into a Bush-era parable by people too timid to set a political satire in their own country." This conflict between Moore and DC Comics was the subject of an article in The New York Times on 12 March 2006, five days before the US release. In the New York Times article, Silver stated that about 20 years prior to the film's release, he met with Moore and Dave Gibbons when Silver acquired the film rights to V For Vendetta and Watchmen. Silver stated, "Alan was odd, but he was enthusiastic and encouraging us to do this.
    In 2012, Moore claimed that he had sold the rights to these two works simply for the money; he did not expect the films ever to be made.
    More Details Hide Details He was simply "getting money for old rope".
  • 2011
    Age 57
    In December 2011, Moore responded to Frank Miller's attack on the Occupy movement, calling his more recent work misogynistic, homophobic and misguided.
    More Details Hide Details Worldwide, Occupy protesters have adopted the Guy Fawkes mask from V for Vendetta. The mask has also been adopted by Anonymous, WikiLeaks, Egyptian revolutionaries, and anti-globalization demonstrators. Moore described Occupy as "ordinary people reclaiming rights which should always have been theirs" and added: Moore is a member of The Arts Emergency Service, a British charity working with 16- to 19-year-olds in further education from diverse backgrounds. Doing research into conspiracy theories for his work on Brought to Light, Moore came to develop his own opinions on the subject of a global conspiracy, stating that "Yes, there is a conspiracy, indeed there are a great number of conspiracies, all tripping each other up... the main thing that I learned about conspiracy theories is that conspiracy theorists actually believe in the conspiracy because that is more comforting. The truth of the world is that it is chaotic. The truth is, that it is not the Jewish banking conspiracy, or the grey aliens, or the twelve-foot reptiloids from another dimension that are in control, the truth is far more frightening; no-one is in control, the world is rudderless."
    In January 2011, the fourth and final issue of Moore's Neonomicon was released by Avatar Press.
    More Details Hide Details This horror mini-series is set in the H. P. Lovecraft universe, and like The Courtyard, is illustrated by Jacen Burrows. Moore has appeared live at music events collaborating with a number of different musicians, with a forthcoming appearance with Stephen O'Malley confirmed for the ATP 'I'll Be Your Mirror' music festival in London. A planned future project is an occult textbook known as The Moon and Serpent Bumper Book of Magic, written with Steve Moore. It will be published by Top Shelf in "the future". He is also currently working on a second novel, Jerusalem, which will again be set in Northampton. Alan Moore has joined the Occupy Comics Kickstarter project. Moore contributed an essay on comics as counter-culture. He continues to work with Kevin O'Neill on their League of Extraordinary Gentlemen spin-off, Nemo. Avatar Press announced a twelve-part series with Jacen Burrows called Providence on H. P. Lovecraft and the sources of the Cthulhu Mythos for 2015.
  • 2010
    Age 56
    In 2010 Moore began what he described as "the 21st century's first underground magazine".
    More Details Hide Details Titled Dodgem Logic, the bi-monthly publication consists of work by a number of Northampton-based authors and artists, as well as original contributions from Moore.
  • 2009
    Age 55
    He expanded on this for a 2009 book-length essay entitled 25,000 years of Erotic Freedom, which was described by a reviewer as "a tremendously witty history lecture – a sort of Horrible Histories for grownups."
    More Details Hide Details In 2007 Moore appeared in animated form in an episode of The Simpsons – a show of which he is a fan – entitled "Husbands and Knives", which aired on his fifty-fourth birthday. Since 2009 Moore has been a panellist on the BBC Radio 4 programme The Infinite Monkey Cage, which is hosted by physicist Brian Cox and comedian Robin Ince.
    The only ABC title continued by Moore was The League of Extraordinary Gentlemen; after cutting ties with DC he launched the new League saga, Volume III: Century, in a co-publishing partnership of Top Shelf Productions and Knockabout Comics, the first part released in 2009, the second in 2011 and the third released in 2012.
    More Details Hide Details In 2006, the complete edition of Lost Girls was published, as a slipcased set of three hardcover volumes. The same year Moore published an eight-page article tracing out the history of pornography in which he argued that a society's vibrancy and success are related to its permissiveness in sexual matters. Decrying that the consumption of contemporary ubiquitous pornography was still widely considered shameful, he called for a new and more artistic pornography that could be openly discussed and would have a beneficial impact on society.
  • 2007
    Age 53
    On 12 May 2007, he married Melinda Gebbie, with whom he has worked on several comics, most notably Lost Girls.
    More Details Hide Details
  • 2005
    Age 51
    In 2005, he remarked that "I love the comics medium.
    More Details Hide Details I pretty much detest the comics industry. Give it another 15 months, I'll probably be pulling out of mainstream, commercial comics."
  • FORTIES
  • 2003
    Age 49
    In 2003, a documentary about him was made by Shadowsnake Films, titled The Mindscape of Alan Moore, which was later released on DVD.
    More Details Hide Details With many of the stories he had planned for America's Best Comics brought to an end, and with his increasing dissatisfaction with how DC Comics were interfering with his work, he decided to once more pull out of the comics mainstream.
  • 1999
    Age 45
    Moore decided that there were too many people involved to back out from the project, and so ABC was launched in early 1999.
    More Details Hide Details The first series published by ABC was The League of Extraordinary Gentlemen, which featured a variety of characters from Victorian adventure novels, such as H. Rider Haggard's Allan Quatermain, H. G. Wells' Invisible Man, Jules Verne's Captain Nemo, Robert Louis Stevenson's Dr. Jekyll and Mr. Hyde, and Wilhelmina Murray from Bram Stoker's Dracula. Illustrated by Kevin O'Neill, the first volume of the series pitted the League against Professor Moriarty from the Sherlock Holmes books; the second, against the Martians from The War of the Worlds. A third volume entitled The Black Dossier was set in the 1950s. The series was well received, and Moore was pleased that an American audience was enjoying something he considered "perversely English", and that it was inspiring some readers to get interested in Victorian literature. Another of Moore's ABC works was Tom Strong, a post-modern superhero series, featured a hero inspired by characters pre-dating Superman, such as Doc Savage and Tarzan. The character's drug-induced longevity allowed Moore to include flashbacks to Strong's adventures throughout the 20th century, written and drawn in period styles, as a comment on the history of comics and pulp fiction. The primary artist was Chris Sprouse. Tom Strong bore many similarities to Moore's earlier work on Supreme, but according to Lance Parkin, was "more subtle", and was "ABC's most accessible comic."
  • 1995
    Age 41
    In 1995, he was also given control of a regular monthly comic, Jim Lee's WildC.A.T.S., starting with issue No. 21, which he would continue to write for fourteen issues.
    More Details Hide Details The series followed two groups of superheroes, one of which is on a spaceship headed back to its home planet, and one of which remains on Earth. Moore's biographer Lance Parkin was critical of the run, feeling that it was one of Moore's worst, and that "you feel Moore should be better than this. It's not special." Moore himself, who remarked that he took on the series – his only regular monthly comic series since Swamp Thing – largely because he liked Jim Lee, admitted that he was not entirely happy with the work, believing that he had catered too much to his conceptions of what the fans wanted rather than being innovative. Next he took over Rob Liefeld's Supreme, about a character with many similarities with DC Comics' Superman. Instead of emphasising increased realism as he had done with earlier superhero comics he had taken over, Moore did the opposite, and began basing the series on the Silver Age Superman comics of the 1960s, introducing a female superhero Suprema, a super-dog Radar, and a Kryptonite-like material known as Supremium, in doing so harking back to the original "mythic" figure of the American superhero. Under Moore, Supreme would prove to be a critical and commercial success, announcing that he was back in the mainstream after several years of self-imposed exile.
  • THIRTIES
  • 1993
    Age 39
    In 1993, on his fortieth birthday, Moore openly declared his dedication to being a ceremonial magician, something he saw as "a logical end step to my career as a writer".
    More Details Hide Details According to a 2001 interview, his inspiration for doing this came when he was writing From Hell in the early 1990s, a book containing much Freemasonic and occult symbolism: "One word balloon in From Hell completely hijacked my life... A character says something like, 'The one place gods inarguably exist is in the human mind'. After I wrote that, I realised I'd accidentally made a true statement, and now I'd have to rearrange my entire life around it. The only thing that seemed to really be appropriate was to become a magician." Moore associates magic very much with writing; "I believe that magic is art, and that art, whether that be music, writing, sculpture, or any other form, is literally magic. Art is, like magic, the science of manipulating symbols, words or images, to achieve changes in consciousness... Indeed to cast a spell is simply to spell, to manipulate words, to change people's consciousness, and this is why I believe that an artist or writer is the closest thing in the contemporary world to a shaman."
    In 1993 Moore declared himself to be a ceremonial magician.
    More Details Hide Details The same year marked a move by Moore back to the mainstream comics industry and back to writing superhero comics. He did so through Image Comics, widely known at the time for its flashy artistic style, graphic violence, and scantily clad large-breasted women, something that horrified many of his fans. His first work published by Image, an issue of the series Spawn, was soon followed by the creation of his own mini-series, 1963, which was "a pastiche of Jack Kirby stories drawn for Marvel in the sixties, with their rather overblown style, colourful characters and cosmic style." According to Moore, "after I'd done the 1963 stuff I'd become aware of how much the comic audience had changed while I'd been away 1988. That all of a sudden it seemed that the bulk of the audience really wanted things that had almost no story, just lots of big, full-page pin-up sort of pieces of artwork. And I was genuinely interested to see if I could write a decent story for that market."
  • 1991
    Age 37
    Following this, in 1991 the company Victor Gollancz Ltd published Moore's A Small Killing, a full length story illustrated by Oscar Zarate, about a once idealistic advertising executive haunted by his boyhood self.
    More Details Hide Details According to Lance Parkin, A Small Killing is "quite possibly Moore's most underrated work." Soon after this, Mad Love itself was disbanded as Phyllis and Deborah ended their relationship with Moore, taking with them much of the money that he had earned from his work in the 1980s. Meanwhile, Moore began producing work for Taboo, a small independent comic anthology edited by his former collaborator Stephen R. Bissette. The first of these was From Hell, a fictionalised account of the Jack the Ripper murders of the 1880s. Inspired by Douglas Adams' novel Dirk Gently's Holistic Detective Agency, Moore reasoned that to solve a crime holistically, one would need to solve the entire society it occurred in, and depicts the murders as a consequence of the politics and economics of the time. Just about every notable figure of the period is connected with the events in some way, including "Elephant Man" Joseph Merrick, Oscar Wilde, Native American writer Black Elk, William Morris, artist Walter Sickert, and Aleister Crowley, who makes a brief appearance as a young boy. Illustrated in a sooty pen-and-ink style by Eddie Campbell, From Hell took nearly ten years to complete, outlasting Taboo and going through two more publishers before being collected as a trade paperback by Eddie Campbell Comics. It was widely praised, with comics author Warren Ellis calling it "my all-time favourite graphic novel".
  • 1990
    Age 36
    Illustration of the comic was begun by Bill Sienkiewicz, who left the series after only two issues in 1990, and despite plans that his assistant, Al Columbia, would replace him, it never occurred and the series remained unfinished.
    More Details Hide Details
  • 1989
    Age 35
    After completing V for Vendetta, which DC had already begun publishing, thus enabling him to finish the final few episodes, in 1989, Moore stopped working for DC.
    More Details Hide Details Abandoning DC Comics and the mainstream, Moore, with his wife Phyllis and their mutual lover Deborah Delano, set up their own comics publishing company, which they named Mad Love. The works that they published in Mad Love turned away from the science fiction and superhero genres that Moore was used to writing, instead focusing on realism, ordinary people, and political causes. Mad Love's first publication, AARGH, was an anthology of work by a number of writers (including Moore) that challenged the Thatcher government's recently introduced Clause 28, a law designed to prevent councils and schools "promoting homosexuality". Sales from the book went towards the Organisation of Lesbian and Gay Action, and Moore was "very pleased with" it, stating that "we hadn't prevented this bill from becoming law, but we had joined in the general uproar against it, which prevented it from ever becoming as viciously effective as its designers might have hoped." Moore followed this with a second political work, Shadowplay: The Secret Team, a comic illustrated by Bill Sienkiewicz for Eclipse Comics and commissioned by the Christic Institute, which was included as a part of the anthology Brought to Light, a description of the CIA's covert drug smuggling and arms dealing. In 1998 'Brought to Light' was adapted by Moore in collaboration with composer Gary Lloyd as a narrative and music work which was released on cd.
  • 1987
    Age 33
    He won the CBG Fan Award for Favorite Comic Book Story (Watchmen) in 1987 and Favorite Original Graphic Novel or Album (Batman: The Killing Joke with Brian Bolland) in 1988.
    More Details Hide Details He received the Harvey Award for Best Writer for 1988 (for Watchmen), for 1995 and 1996 (for From Hell), for 1999 (for his body of work, including From Hell and Supreme), for 2000 (for The League of Extraordinary Gentlemen), and for 2001 and 2003 (for Promethea). He has received the Eisner Award for Best Writer nine times since 1988, and among his numerous international prizes are the German Max & Moritz Prize for an exceptional oeuvre (2008) and the British National Comics Award for Best Comics Writer Ever (in 2001 and 2002). He also won French awards like the Angoulême International Comics Festival Prize for Best Album for Watchmen in 1989 and V for Vendetta in 1990, and the Prix de la critique for From Hell in 2001, the Swedish Urhunden Prize in 1992 for Watchmen and several Spanish Haxtur Awards, in 1988 for Watchmen and 1989 for Swamp Thing No. 5 (both for Best Writer).
    In 1987 Moore submitted a proposal for a miniseries called Twilight of the Superheroes, the title a twist on Richard Wagner's opera Götterdämmerung (meaning "Twilight of the Gods").
    More Details Hide Details
  • 1986
    Age 32
    The limited series Watchmen, begun in 1986 and collected as a trade paperback in 1987, cemented Moore's reputation.
    More Details Hide Details Imagining what the world would be like if costumed heroes had really existed since the 1940s, Moore and artist Dave Gibbons created a Cold War mystery in which the shadow of nuclear war threatens the world. The heroes who are caught up in this escalating crisis either work for the US government or are outlawed, and are motivated to heroism by their various psychological hang-ups. Watchmen is non-linear and told from multiple points of view, and includes highly sophisticated self-references, ironies, and formal experiments such as the symmetrical design of issue 5, "Fearful Symmetry", where the last page is a near mirror-image of the first, the second-last of the second, and so on, and in this manner is an early example of Moore's interest in the human perception of time and its implications for free will. It is the only comic to win the Hugo Award, in a one-time category ("Best Other Form"). It is widely seen as Moore's best work, and has been regularly described as the greatest comic book ever written. Alongside roughly contemporary works such as Frank Miller's Batman: The Dark Knight Returns, Art Spiegelman's Maus, and Jaime and Gilbert Hernandez's Love and Rockets, Watchmen was part of a late 1980s trend in American comics towards more adult sensibilities. Comics historian Les Daniels noted that Watchmen "called into question the basic assumptions on which the super hero genre is formulated". DC Comics writer and executive Paul Levitz observed in 2010 that "As with The Dark Knight Returns, Watchmen set off a chain reaction of rethinking the nature of super heroes and heroism itself, and pushed the genre darker for more than a decade.
  • 1985
    Age 31
    The series would also have restored the DC Universe's multiple earths, which had been eliminated in the continuity-revising 1985 limited series Crisis on Infinite Earths.
    More Details Hide Details The series was never commissioned, but copies of Moore's detailed notes have appeared on the Internet and in print despite the efforts of DC, who consider the proposal their property. Similar elements, such as the concept of hypertime, have since appeared in DC comics. The 1996 miniseries Kingdom Come by Mark Waid and Alex Ross, was also set amid a superheroic conflict in the future of the DC Universe. Waid and Ross have stated that they had read the Twilight proposal before starting work on their series, but that any similarities are both minor and unintended. Moore wrote the lead story in Batman Annual No. 11 (1987) drawn by George Freeman. The following year saw the publication of The Killing Joke, written by Moore and illustrated by Brian Bolland. It revolved around The Joker, who had escaped Arkham Asylum and gone on a killing spree, and Batman's effort to stop him. Despite being a key work in helping to redefine Batman as a character, along with Frank Miller's The Dark Knight Returns and Batman: Year One, Lance Parkin believed that "the theme isn't developed enough" and "it's a rare example of a Moore story where the art is better than the writing," something Moore himself acknowledges.
    Moore began producing further stories for DC Comics, including a two-part story for Vigilante, which dealt with domestic abuse. He was eventually given the chance to write a story for one of DC's best-known superheroes, Superman, entitled "For the Man Who Has Everything", which was illustrated by Dave Gibbons and released in 1985.
    More Details Hide Details In this story, Wonder Woman, Batman, and Robin visit Superman on his birthday, only to find that he has been overcome by an alien organism and is hallucinating about his heart's desire. He followed this with another Superman story, "Whatever Happened to the Man of Tomorrow? ", which was published in 1986. Illustrated by Curt Swan, it was designed as the last Superman story in the pre-Crisis on Infinite Earths DC Universe.
  • 1984
    Age 30
    In 1984, Moore and David J released a 7-inch single featuring a recording of "This Vicious Cabaret", a song featured in V for Vendetta, which was released on the Glass Records label.
    More Details Hide Details Moore would write the song "Leopardman at C&A" for David J, and it would be set to music by Mick Collins for the album We Have You Surrounded by Collins' group The Dirtbombs. Moore's work in 2000 AD brought him to the attention of DC Comics editor Len Wein, who hired him in 1983 to write The Saga of the Swamp Thing, then a formulaic and poor-selling monster comic. Moore, with artists Stephen R. Bissette, Rick Veitch, and John Totleben, deconstructed and reimagined the character, writing a series of formally experimental stories that addressed environmental and social issues alongside the horror and fantasy, bolstered by research into the culture of Louisiana, where the series was set. For Swamp Thing he revived many of DC's neglected magical and supernatural characters, including the Spectre, the Demon, the Phantom Stranger, Deadman, and others, and introduced John Constantine, an English working-class magician based visually on the British musician Sting; Constantine later became the protagonist of the series Hellblazer, which became Vertigo's longest running series at 300 issues. Moore would continue writing Swamp Thing for almost four years, from issue No. 20 (January 1984) through to issue No. 64 (September 1987) with the exception of issues No. 59 and 62. Moore's run on Swamp Thing was successful both critically and commercially, and inspired DC to recruit European and particularly British writers such as Grant Morrison, Jamie Delano, Peter Milligan, and Neil Gaiman to write comics in a similar vein, often involving radical revamps of obscure characters.
  • TWENTIES
  • 1983
    Age 29
    Meanwhile, during this same period, he – using the pseudonym of Translucia Baboon – became involved in the music scene, founding his own band, The Sinister Ducks, with David J (of goth band Bauhaus) and Alex Green, and in 1983 released a single, March of the Sinister Ducks, with sleeve art by illustrator Kevin O'Neill.
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  • 1982
    Age 28
    Upon resurrecting Marvelman, Moore "took a kitsch children's character and placed him within the real world of 1982".
    More Details Hide Details The work was drawn primarily by Garry Leach and Alan Davis. The third series that Moore produced for Warrior was The Bojeffries Saga, a comedy about a working-class English family of vampires and werewolves, drawn by Steve Parkhouse. Warrior closed before these stories were completed, but under new publishers both Miracleman and V for Vendetta were resumed by Moore, who finished both stories by 1989. Moore's biographer Lance Parkin remarked that "reading them through together throws up some interesting contrasts – in one the hero fights a fascist dictatorship based in London, in the other an Aryan superman imposes one." Although Moore's work numbered amongst the most popular strips to appear in 2000 AD, Moore himself became increasingly concerned at the lack of creator's rights in British comics. In 1985, he talked to fanzine Arkensword, noting that he had stopped working for all British publishers bar IPC, "purely for the reason that IPC so far have avoided lying to me, cheating me or generally treating me like shit." He did join other creators in decrying the wholesale relinquishing of all rights, and in 1986 stopped writing for 2000 AD, leaving mooted future volumes of the Halo Jones story unstarted. Moore's outspoken opinions and principles, particularly on the subject of creator's rights and ownership, would see him burn bridges with a number of other publishers over the course of his career.
    Moore was initially given two ongoing strips in Warrior: Marvelman and V for Vendetta, both of which debuted in Warriors first issue in March 1982.
    More Details Hide Details V for Vendetta was a dystopian thriller set in a future 1997 where a fascist government controlled Britain, opposed only by a lone anarchist dressed in a Guy Fawkes costume who turns to terrorism to topple the government. Illustrated by David Lloyd, Moore was influenced by his pessimistic feelings about the Thatcherite Conservative government, which he projected forward as a fascist state in which all ethnic and sexual minorities had been eliminated. It has been regarded as "among Moore's best work" and has maintained a cult following throughout subsequent decades. Marvelman (later retitled Miracleman for legal reasons) was a series that originally had been published in Britain from 1954 through to 1963, based largely upon the American comic Captain Marvel.
  • 1980
    Age 26
    From 1980 through to 1984, Moore maintained his status as a freelance writer, and was offered a spate of work by a variety of comic book companies in Britain, namely Marvel UK, and the publishers of 2000AD and Warrior.
    More Details Hide Details He later remarked that "I remember that what was generally happening was that everybody wanted to give me work, for fear that I would just be given other work by their rivals. So everybody was offering me things." It was an era when comic books were increasing in popularity in Britain, and according to Lance Parkin, "the British comics scene was cohering as never before, and it was clear that the audience was sticking with the title as they grew up. Comics were no longer just for very small boys: teenagers – even A-level and university students – were reading them now." During this three-year period, 2000AD would accept and publish over fifty of Moore's one-off stories for their Future Shocks and Time Twisters science fiction series. The editors at the magazine were impressed by Moore's work and decided to offer him a more permanent strip, starting with a story that they wanted to be vaguely based upon the hit film E.T. the Extra-Terrestrial. The result, Skizz, which was illustrated by Jim Baikie, told the story of the titular alien who crashes to Earth and is cared for by a woman named Roxy, and Moore later noted that in his opinion, this work "owes far too much to Alan Bleasdale." Another series he produced for 2000AD was D.R. and Quinch, which was illustrated by Alan Davis. The story, which Moore described as "continuing the tradition of Dennis the Menace, but giving him a thermonuclear capacity", revolved around two delinquent aliens, and was a science-fiction take on National Lampoons characters O.C. and Stiggs.
  • 1979
    Age 25
    Not long after this, in 1979 he also began publishing a new comic strip known as Maxwell the Magic Cat in the Northants Post, under the pseudonym of Jill de Ray (a pun on the Medieval child-murderer Gilles de Rais, something he found to be a "sardonic joke").
    More Details Hide Details Earning a further £10 a week from this, he decided to sign off of social security, and would continue writing Maxwell the Magic Cat until 1986. Moore has stated that he would have been happy to continue Maxwell's adventures almost indefinitely, but ended the strip after the newspaper ran a negative editorial on the place of homosexuals in the community. Meanwhile, Moore decided to focus more fully on writing comics rather than both writing and drawing them, stating that "After I'd been doing it for a couple of years, I realised that I would never be able to draw well enough and/or quickly enough to actually make any kind of decent living as an artist." To learn more about how to write a successful comic-book script, he asked advice from his friend, comic-book writer Steve Moore, whom he had known since he was fourteen. Interested in writing for 2000AD, one of Britain's most prominent comic magazines, Alan Moore then submitted a script for their long running and successful series Judge Dredd. Whilst having no need for another writer on Judge Dredd, which was already being written by John Wagner, 2000ADs editor Alan Grant saw promise in Moore's work – later remarking that "this guy's a really fucking good writer" – and instead asked him to write some short stories for the publication's Future Shocks series. While the first few were rejected, Grant advised Moore on improvements, and eventually accepted the first of many.
  • TEENAGE
  • 1973
    Age 19
    Whilst continuing to live in his parents' home for a few more years, he moved through various jobs, including cleaning toilets and working in a tannery. In late 1973, he met and began a relationship with Northampton-born Phyllis Dixon, with whom he moved into "a little one-room flat in the Barrack Road area in Northampton".
    More Details Hide Details Soon marrying, they moved into a new council estate in the town's eastern district while he worked in an office for a sub-contractor of the local gas board. Moore felt that he was not being fulfilled by this job, and so decided to try to earn a living doing something more artistic. Abandoning his office job, he decided to instead take up both writing and illustrating his own comics. He had already produced a couple of strips for several alternative fanzines and magazines, such as Anon E. Mouse for the local paper Anon, and St. Pancras Panda, a parody of Paddington Bear, for the Oxford-based Back Street Bugle. His first paid work was for a few drawings that were printed in NME music magazine, and not long after he succeeded in getting a series about a private detective known as Roscoe Moscow published using the pseudonym of Curt Vile (a pun on the name of composer Kurt Weill) in the weekly music magazine Sounds, earning £35 a week. Alongside this, he and Phyllis, with their newborn daughter Leah, began claiming unemployment benefit to supplement this income.
  • 1970
    Age 16
    He began dealing the hallucinogenic LSD at school, being expelled for doing so in 1970 – he later described himself as "one of the world's most inept LSD dealers".
    More Details Hide Details The headmaster of the school subsequently "got in touch with various other academic establishments that I'd applied to and told them not to accept me because I was a danger to the moral well-being of the rest of the students there, which was possibly true."
  • CHILDHOOD
  • 1953
    Born
    Moore was born on 18 November 1953, at St Edmond's Hospital in Northampton to a working-class family who he believed had lived in the town for several generations.
    More Details Hide Details He grew up in a part of Northampton known as The Boroughs, a poverty-stricken area with a lack of facilities and high levels of illiteracy, but he nonetheless "loved it. I loved the people. I loved the community and... I didn't know that there was anything else." He lived in his house with his parents, brewery worker Ernest Moore, and printer Sylvia Doreen, with his younger brother Mike and his maternal grandmother. He "read omnivorously" from the age of five, getting books out of the local library, and subsequently attended Spring Lane Primary School. At the same time, he began reading comic strips, initially British strips, such as Topper and The Beezer, but eventually also American imports such as The Flash, Detective Comics, Fantastic Four, and Blackhawk. He later passed his 11-plus exam, and was therefore eligible to go to Northampton Grammar School, where he first came into contact with people who were middle class and better educated, and he was shocked at how he went from being one of the top pupils at his primary school to one of the lowest in the class at secondary. Subsequently disliking school and having "no interest in academic study", he believed that there was a "covert curriculum" being taught that was designed to indoctrinate children with "punctuality, obedience and the acceptance of monotony".
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