Bob Dylan
American rock and folk musician
Bob Dylan
Bob Dylan, born Robert Allen Zimmerman on May 24, 1941, is an American singer-songwriter and musician. He has been an influential figure in popular music and culture for five decades. Much of his most celebrated work dates from the 1960s when he was an informal chronicler and a seemingly reluctant figurehead of social unrest. A number of Dylan's early songs, such as "Blowin' in the Wind" and "The Times They Are a-Changin'", became anthems for the US civil rights and anti-war movements.
Biography
Bob Dylan's personal information overview.
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News
News abour Bob Dylan from around the web
Impeachable: A New Kind Of Protest Song
Huffington Post - about 22 hours
People have been wondering what folksinger/activists, some of them septuagenarians like Noel Paul Stookey and me, might be doing in the face of the current cataclysmic challenges to our democracy and our nation. The answer is simple: we are going to keep on keeping on. We inherited a legacy from Woody, Pete Seeger and the Weavers and many others who inspired us. They never quit, never stopped and never stopped advocating. Doing so is “in our blood” and it’s a great gift to both Noel and me, as it would be to Mary – were she still to be with us. She would join, even (or maybe especially) at our advanced age, the current advocacies that “hammer out a warning”, “ring out danger” and “sing about the love between our brothers and our sisters”.  No, we’ve not “gone away”. We, and others who also come from the folk music/activist tradition, are solidly committed to using our music to generate community and consensus at our concerts and at gatherings and demonstrations to ...
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Huffington Post article
Why Are People Into Nude Photos?
Huffington Post - 5 days
This piece by Tina Horn, part of an ongoing podcast and essay series called “Why Are People Into That?!,” originally appeared on The Establishment, an independent multimedia site founded and run by women. I really hate having my picture taken. I don’t like holding still. I have never figured out how to freeze my face in a way that looks like I intensely care and couldn’t care less that you’re looking at me. Modeling is an illusion, but I’ve always depended on language and movement to glamour my own victims. Like many things we expect women to do well in order to show their worth, the talent, skill, and craft of modeling is sorely undervalued. We envy models who “get paid just to stand there.” Nope. You try creating simultaneous grace and alertness in your figure. You try contorting your body into a silhouette that compresses your three-dimensional complexity into a two-dimensional shape that pleases the eye. It’s really fucking hard, and it’s even harder when you just don’t know h ...
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Huffington Post article
Dear Beyhive: Stop Whining. Beyonce Still Hasn't Earned Her Album Of The Year Grammy
Huffington Post - 11 days
function onPlayerReadyVidible(e){'undefined'!=typeof HPTrack&&HPTrack.Vid.Vidible_track(e)}!function(e,i){if(e.vdb_Player){if('object'==typeof commercial_video){var a='',o='m.fwsitesection='+commercial_video.site_and_category;if(a+=o,commercial_video['package']){var c='&m.fwkeyvalues=sponsorship%3D'+commercial_video['package'];a+=c}e.setAttribute('vdb_params',a)}i(e.vdb_Player)}else{var t=arguments.callee;setTimeout(function(){t(e,i)},0)}}(document.getElementById('vidible_1'),onPlayerReadyVidible); It’s funny. With all of the furor over Beyonce’s losing the Album of the Year Grammy for the third time, you’d think Katy Perry or Britney Spears had snatched the prize out of Queen Bey’s outstretched hands. But people, she was beaten by Adele. While I personally think there wasn’t much to 25 beyond “Hello” (for me, 19 remains Adele’s strongest album-length work), are we really going to start slamming an artist as important as the Brit with the big, boomin ...
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Huffington Post article
Citizen of the World: Actor Reda Kateb on 'Django', Animal Vibrations and Problematic Modern Leaders
Huffington Post - 15 days
Kahlil Gibran wrote "You give but little when you give of your possessions. It is when you give of yourself that you truly give." And perhaps it's appropriate to quote Gibran's The Prophet when talking about French-born actor Reda Kateb, who embodies at once cultures as diverse as Algerian, Czech and Italian. If you are not familiar with Kateb's name yet, you will be. I believe he's about to become the most sought-after actor in world cinema. But back to generosity and Kateb. The two seem to go hand in hand, as the actor dedicated his time and energy to answering thoughtfully each and every question posed by a roomful of journalists who simply couldn't get enough of his wisdom. Kateb gave of himself, on a sunny but frigid afternoon, when one could tell he'd been doing press all day for Étienne Comar's Django -- this year's opening film at the Berlinale. Coming back from a break just outside, on the balcony of the suite in the Scandic Hotel, he excused himself by saying "if I ...
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Huffington Post article
Beyoncé, Bandcamp And Bob Dylan: The Week In Music News
NPR - 23 days
From the pregnancy announcement that broke the internet to the industry's response to the president's executive action on immigration, this was an eventful week. (Image credit: Instagram/Courtesy of the artist/Courtesy of Bandcamp)
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NPR article
Bob Dylan's upcoming triple album will delve deeper into Great American Songbook
LATimes - 26 days
What does Bob Dylan call two albums’ worth of recordings culled from the Great American Songbook? A good start, apparently. Following his 2015 album, “Shadows in the Night,” and last year’s “Fallen Angels,” the newly minted Nobel Prize in Literature laureate will release a triple album on March...
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LATimes article
Bob Dylan’s Next Act: A Triple Album of Standards
NYTimes - 26 days
The winner of the Nobel Prize in Literature announced the March 31 release of “Triplicate,” featuring classic American songs.
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NYTimes article
Dylan, Muse, among headliners for Firefly Music Festival
Yahoo News - 30 days
DOVER, Del. (AP) — Bob Dylan and British alt-rockers Muse are among the headliners for this year's Firefly Music Festival in Delaware.
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Yahoo News article
Sons and Daughters of Stars Are Fashion's New Royalty
Yahoo News - about 1 month
From Lily-Rose Depp and Will Smith's daughter Willow -- the faces of Chanel -- to the Beckham boys and Sylvester Stallone's two daughters modelling for Dolce & Gabbana, celebrity offspring are luxury labels' new not-so-secret weapon. With their huge followings on social media and instant name-recognition, these millennials born in the limelight have become the perfect avatars for advertising campaigns. British actor Jude Law's daughter Iris is the new face of Burberry having followed her brother Rafferty in modelling, while the daughters of singer Lionel Richie, Cindy Crawford and even Bob Dylan's grandson have all embarked on catwalk careers.
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Yahoo News article
Bob Dylan's Grandson Levi Is One Very Handsome Model
Huffington Post - about 1 month
It’s not uncommon for the children and grandchildren of celebrities to pursue similar paths as their famous relatives. And it appears that model Levi Dylan, son of Jakob Dylan and grandson of Bob Dylan, is anything but a wallflower.  The younger Dylan walked in Dolce & Gabbana’s Fall/Winter 2017 fashion show in Milan on Tuesday, looking downright babely in a double-breasted jacket, a pair of glasses and buckled shoes.  Dylan told The Cut back in August 2016 that he wouldn’t do runway work because “those guys are really tall,” but changed his tune to walk alongside other famous offspring like Pamela Anderson and Tommy Lee’s son Brandon Lee, Jude Law’s son Rafferty and Cindy Crawford’s son, Presley Gerber. The show is not the 22-year-old’s first foray into the modeling world. Dylan has posed for Wonderland Magazine and Vogue Italia, crediting his photographer girlfriend Alana O’Herlihy with introducing him to the industry. He has also appeared at Fashion Week be ...
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Huffington Post article
Early Signpost of The Trump Era: Heinlein's 'Future History' and Asimov's 'Foundation' at 75
Huffington Post - about 2 months
As the bizarre, toxic yet darkly fascinating year 2016 has faded completely into an unknown 2017, a question or two occurs with relevance to the next few years. Did legendary science fiction writer Robert A. Heinlein predict much of what has just happened in a series of stories he worked out before the United States entered World War II? In his 'Future History' series, Heinlein did point to a presidential election which occurs right about, well, now as the moment in which the United States falls into "a dictatorship of superstition." The cause? The election, during the nation's most tempestuous and combustible of campaigns, of an anti-intellectual, anti-science, anti-foreigner populist appealing to racists and fundamentalist Christians and uber-rich reactionaries who wins a narrow victory. In the last presidential election for 75 years. Who was it who said it can't happen here? And, oh yes, did legendary science fiction writer Isaac Asimov give rise to a fateful fascination wit ...
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Huffington Post article
Sony Music, Bob Dylan Twitter Accounts Hacked, Falsely Tweet Death of Britney Spears - Hollywood Reporter
Google News - 2 months
Hollywood Reporter Sony Music, Bob Dylan Twitter Accounts Hacked, Falsely Tweet Death of Britney Spears Hollywood Reporter Sony Music Entertainment caused a short frenzy early Monday morning when its Twitter account was hacked and falsely posted that Britney Spears had died. "RIP @britneyspears," read the tweet from its official Sony Music Global handle shortly after 8 a.m ... Britney Spears tweets following death hoaxEntertainment Weekly Hacker group denies responsibility for Britney Spears death hoaxLos Angeles Times Sony Twitter account hacked, claimed Britney Spears diedUSA TODAY CBS News -New York Daily News -Hollywood Life -Us Weekly all 245 news articles »
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Google News article
Timeline
Learn about memorable moments in the evolution of Bob Dylan
    LATE_ADULTHOOD
  • 2016
    Age 74
    In September 2016, Legacy Recordings announced a 36-CD set, Bob Dylan: The 1966 Live Recordings, including every known recording of Bob Dylan’s 1966 concert tour, will be released on November 11.
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    On May 20, 2016, Dylan released his 37th studio album, Fallen Angels, which was described as "a direct continuation of the work of 'uncovering' the Great Songbook that he began on last year’s Shadows In the Night."
    More Details Hide Details The album contained twelve songs by classic songwriters such as Harold Arlen, Sammy Cahn and Johnny Mercer, eleven of which had been recorded by Sinatra. Jim Farber wrote in Entertainment Weekly: "Tellingly, Dylan delivers these songs of love lost and cherished not with a burning passion but with the wistfulness of experience. They’re memory songs now, intoned with a present sense of commitment. Released just four days ahead of his 75th birthday, they couldn’t be more age-appropriate." The album received a score of 79 on critical aggregator website Metacritic, denoting "generally favorable reviews".
    Dylan announced a tour of the US starting in Woodinville WA on June 4, 2016, and finishing in Gilford NH on July 17.
    More Details Hide Details Dylan has also announced his participation in a so-called "Mega-Fest" titled Desert Trip, in California on October 7, when he will perform at the same event as the Rolling Stones, Neil Young, Paul McCartney, the Who and Roger Waters. The cover of Dylan's album Self Portrait (1970) is a reproduction of a painting of a face by Dylan. Another of his paintings is reproduced on the cover of the 1974 album Planet Waves. In 1994 Random House published Drawn Blank, a book of Dylan's drawings. In 2007, the first public exhibition of Dylan's paintings, The Drawn Blank Series, opened at the Kunstsammlungen in Chemnitz, Germany; it showcased more than 200 watercolors and gouaches made from the original drawings. The exhibition coincided with the publication of Bob Dylan: The Drawn Blank Series, which includes 170 reproductions from the series. From September 2010 until April 2011, the National Gallery of Denmark exhibited 40 large-scale acrylic paintings by Dylan, The Brazil Series.
    Dylan commenced a tour of Japan in Tokyo on April 4, 2016, which concluded in Yokohama on April 28.
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    On March 2, 2016, it was announced that Dylan had sold an extensive archive of about 6,000 items to the George Kaiser Family Foundation and the University of Tulsa.
    More Details Hide Details It was reported that the sale price was "an estimated $15 million to $20 million", and the archive comprises notebooks, drafts of Dylan lyrics, recordings, and correspondence. Filmed material in the collection includes 30 hours of outtakes from the 1965 tour documentary Dont Look Back, 30 hours of footage shot on Dylan's legendary 1966 electric tour, and 50 hours shot on the 1975 Rolling Thunder Revue. The archive will be housed at Helmerich Center for American Research, a facility at the Gilcrease Museum.
  • 2015
    Age 73
    On October 5, 2015, IBM launched a marketing campaign for its Watson computer system which featured Dylan.
    More Details Hide Details Dylan is seen conversing with the computer which says it has read all his lyrics and reports: "My analysis shows that your major themes are that time passes and love fades." Dylan replies: "That sounds about right." On November 6, 2015, Sony Music released The Bootleg Series Vol. 12: The Cutting Edge 1965–1966. This work consists of previously unreleased material from the three albums Dylan recorded Between January 1965 and March 1966: Bringing It All Back Home, Highway 61 Revisited and Blonde on Blonde. The records have been released in three formats: a 2-CD "Best Of" version, a 6-CD "Deluxe edition", and an 18-CD "Collector's Edition" in a limited edition of 5,000 units. On Dylan's website the "Collector's Edition" was described as containing "every single note recorded by Bob Dylan in the studio in 1965/1966". The critical aggregator website Metacritic awarded Cutting Edge a score of 99, indicating universal acclaim. The Best of the Cutting Edge entered the Billboard Top Rock Albums chart at number one on November 18, based on its first-week sales.
    On February 3, 2015, Dylan released Shadows in the Night, featuring ten songs written between 1923 and 1963, which have been described as part of the Great American Songbook.
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  • 2014
    Age 72
    On November 4, 2014, Columbia Records/Legacy Recordings released The Basement Tapes Complete by Bob Dylan and The Band.
    More Details Hide Details These 138 tracks in a six-CD box form Volume 11 of Dylan's Bootleg Series. The 1975 album, The Basement Tapes, contained some of the songs which Dylan and the Band recorded in their homes in Woodstock, New York, in 1967. Subsequently, over 100 recordings and alternate takes have circulated on bootleg records. The sleeve notes for the new box set are by Sid Griffin, American musician and author of Million Dollar Bash: Bob Dylan, The Band, and The Basement Tapes.
    On October 28, 2014, Simon & Schuster published a massive 960 page, thirteen and a half pound edition of Dylan's lyrics, Lyrics: Since 1962.
    More Details Hide Details The book was edited by literary critic Christopher Ricks, Julie Nemrow and Lisa Nemrow, to offer variant versions of Dylan's songs, sourced from out-takes and live performances. A limited edition of 50 books, signed by Dylan, was priced at $5,000. "It’s the biggest, most expensive book we’ve ever published, as far as I know," said Jonathan Karp, Simon & Schuster’s president and publisher.
    In June 2014, Dylan's hand-written lyrics of "Like a Rolling Stone", his 1965 hit single, fetched $2 million dollars at auction, a record for a popular music manuscript.
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  • 2013
    Age 71
    In December 2013, the Fender Stratocaster which Dylan had played at the 1965 Newport Folk Festival fetched $965,000, the second highest price paid for a guitar.
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    In 2013 and 2014, auction house sales demonstrated the high cultural value attached to Dylan's mid-1960s work, and the record prices that collectors were willing to pay for artefacts from this period.
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    On November 4, 2013, Columbia Records released Bob Dylan: Complete Album Collection: Vol.
    More Details Hide Details One, a boxed set containing all 35 of Dylan's studio albums, six albums of live recordings, and a collection, entitled Sidetracks, of singles, songs from films and non-album material. The box includes new album-by-album liner notes written by Clinton Heylin with an introduction by Bill Flanagan. On the same date, Columbia released a compilation, The Very Best of Bob Dylan, which is available in both single CD and double CD formats. To publicize the 35 album box set, an innovative video of the song "Like a Rolling Stone" was released on Dylan's website. The interactive video, created by director Vania Heymann, allowed viewers to switch between 16 simulated TV channels, all featuring characters who are lip-synching the lyrics of the 48-year-old song. On February 2, 2014, Dylan appeared in a commercial for the Chrysler 200 car which was screened during the 2014 Super Bowl American football game. At the end of the commercial, Dylan says: "So let Germany brew your beer, let Switzerland make your watch, let Asia assemble your phone. We will build your car." Dylan's Super Bowl commercial generated controversy and op-ed pieces discussing the protectionist implications of his words, and whether the singer had "sold out" to corporate interests.
    On August 27, 2013, Columbia Records released Volume 10 of Dylan's Bootleg Series, Another Self Portrait (1969–1971).
    More Details Hide Details The album contained 35 previously unreleased tracks, including alternate takes and demos from Dylan's 1969–1971 recording sessions during the making of the Self Portrait and New Morning albums. The box set also included a live recording of Dylan's performance with the Band at the Isle of Wight Festival in 1969. Another Self Portrait received favorable reviews, earning a score of 81 on the critical aggregator, Metacritic, indicating "universal acclaim". AllMusic critic Thom Jurek wrote, "For fans, this is more than a curiosity, it's an indispensable addition to the catalog."
  • 2012
    Age 70
    Talking to Mikal Gilmore in Rolling Stone in 2012, Dylan responded to the allegation of plagiarism, including his use of Henry Timrod's verse in his album Modern Times, by saying that it was "part of the tradition".
    More Details Hide Details If Dylan's work in the 1960s was seen as bringing intellectual ambition to popular music, critics in the 21st century described him as a figure who had greatly expanded the folk culture from which he initially emerged. Following the release of Todd Haynes' Dylan biopic I'm Not There, J. Hoberman wrote in his 2007 Village Voice review: Elvis might never have been born, but someone else would surely have brought the world rock 'n' roll. No such logic accounts for Bob Dylan. No iron law of history demanded that a would-be Elvis from Hibbing, Minnesota, would swerve through the Greenwich Village folk revival to become the world's first and greatest rock 'n' roll beatnik bard and then—having achieved fame and adoration beyond reckoning—vanish into a folk tradition of his own making. Prior to the June 2014 sale of the original lyrics of "Like a Rolling Stone", written on four sheets of hotel stationery by Dylan in 1965, Richard Austin, of Sotheby's, New York, said: "Before the release of Like a Rolling Stone, music charts were overrun with short and sweet love songs, many clocking in at three minutes or less. By defying convention with six and a half minutes of dark, brooding poetry, Dylan rewrote the rules for pop music."
    President Barack Obama said of Dylan in 2012, "There is not a bigger giant in the history of American music."
    More Details Hide Details In their 2008 assessment of the "100 Greatest Singers", Rolling Stone magazine ranked him at number seven. Rolling Stone then ranked Dylan at number two in its 2011 list of "100 Greatest Artists" of all time, while "Like A Rolling Stone" was listed as the "Greatest Song of all Time." In 2008, it was estimated that Dylan had sold about 120 million albums worldwide. Initially modeling his writing style on the songs of Woody Guthrie, the blues of Robert Johnson, and what he termed the "architectural forms" of Hank Williams songs, Dylan added increasingly sophisticated lyrical techniques to the folk music of the early 1960s, infusing it "with the intellectualism of classic literature and poetry". Paul Simon suggested that Dylan's early compositions virtually took over the folk genre: "Dylan's early songs were very rich... with strong melodies. 'Blowin' in the Wind' has a really strong melody. He so enlarged himself through the folk background that he incorporated it for a while. He defined the genre for a while."
    On September 11, 2012, Dylan released his 35th studio album, Tempest.
    More Details Hide Details The album features a tribute to John Lennon, "Roll On John", and the title track is a 14 minute song about the sinking of the Titanic. Reviewing Tempest for Rolling Stone, Will Hermes gave the album five out of five stars, writing: "Lyrically, Dylan is at the top of his game, joking around, dropping wordplay and allegories that evade pat readings and quoting other folks' words like a freestyle rapper on fire." Hermes called Tempest "one of Dylan's weirdest albums ever", and opined, "It may also be the single darkest record in Dylan's catalog." The critical aggregator website Metacritic awarded the album a score of 83 out of 100, indicating "universal acclaim".
    Dylan received the Presidential Medal of Freedom in May 2012.
    More Details Hide Details In February 2015, Dylan accepted the MusiCares Person of the Year award from the National Academy of Recording Arts and Sciences, in recognition of his philanthropic and artistic contributions to society. In November 2103, Dylan received the accolade of Légion d'Honneur from the French education minister Aurélie Filippetti.
    On May 29, 2012, U.S. President Barack Obama awarded Dylan a Presidential Medal of Freedom in the White House.
    More Details Hide Details At the ceremony, Obama praised Dylan's voice for its "unique gravelly power that redefined not just what music sounded like but the message it carried and how it made people feel".
    In May 2012, Dylan received the Presidential Medal of Freedom from President Barack Obama.
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  • 2011
    Age 69
    On October 4, 2011, Dylan's label, Egyptian Records, released an album of previously unheard Hank Williams songs, The Lost Notebooks of Hank Williams.
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    The extent to which his work was studied at an academic level was demonstrated on Dylan's 70th birthday on May 24, 2011, when three universities organized symposia on his work.
    More Details Hide Details The University of Mainz, the University of Vienna, and the University of Bristol invited literary critics and cultural historians to give papers on aspects of Dylan's work. Other events, including tribute bands, discussions and simple singalongs, took place around the world, as reported in The Guardian: "From Moscow to Madrid, Norway to Northampton and Malaysia to his home state of Minnesota, self-confessed 'Bobcats' will gather today to celebrate the 70th birthday of a giant of popular music."
    Dylan's performances in China in April 2011 generated controversy.
    More Details Hide Details Some criticised him for not making any explicit comment on the political situation in China, and for, allegedly, allowing the Chinese authorities to censor his set list. Others defended Dylan's performances, arguing that such criticism represented a misunderstanding of Dylan's art, and that no evidence for the censorship of Dylan's set list existed. In response to these allegations, Dylan posted a statement on his website: "As far as censorship goes, the Chinese government had asked for the names of the songs that I would be playing. There's no logical answer to that, so we sent them the set lists from the previous 3 months. If there were any songs, verses or lines censored, nobody ever told me about it and we played all the songs that we intended to play."
    On April 12, 2011, Legacy Recordings released Bob Dylan in Concert – Brandeis University 1963, taped at Brandeis University on May 10, 1963, two weeks prior to the release of The Freewheelin' Bob Dylan.
    More Details Hide Details The tape was discovered in the archive of music writer Ralph J. Gleason, and the recording carries liner notes by Michael Gray, who writes the recording captures Dylan "from way back when Kennedy was President and the Beatles hadn't yet reached America. It reveals him not at any Big Moment but giving a performance like his folk club sets of the period... This is the last live performance we have of Bob Dylan before he becomes a star."
  • 2010
    Age 68
    On October 18, 2010, Dylan released Volume 9 of his Bootleg Series, The Witmark Demos.
    More Details Hide Details This comprised 47 demo recordings of songs taped between 1962 and 1964 for Dylan's earliest music publishers: Leeds Music in 1962, and Witmark Music from 1962 to 1964. One reviewer described the set as "a hearty glimpse of young Bob Dylan changing the music business, and the world, one note at a time." The critical aggregator website Metacritic awarded the album a Metascore of 86, indicating "universal acclaim". In the same week, Sony Legacy released Bob Dylan: The Original Mono Recordings, a box set that for the first time presented Dylan's eight earliest albums, from Bob Dylan (1962) to John Wesley Harding (1967), in their original mono mix in the CD format. The CDs were housed in miniature facsimiles of the original album covers, replete with original liner notes. The set was accompanied by a booklet featuring an essay by music critic Greil Marcus.
  • 2009
    Age 67
    On October 13, 2009, Dylan released a Christmas album, Christmas in the Heart, comprising such Christmas standards as "Little Drummer Boy", "Winter Wonderland" and "Here Comes Santa Claus".
    More Details Hide Details Dylan's royalties from the sale of this album will benefit the charities Feeding America in the USA, Crisis in the UK, and the World Food Programme. The album received generally favorable reviews. The New Yorker commented that Dylan had welded a pre-rock musical sound to "some of his croakiest vocals in a while", and speculated that Dylan's intentions might be ironic: "Dylan has a long and highly publicized history with Christianity; to claim there's not a wink in the childish optimism of 'Here Comes Santa Claus' or 'Winter Wonderland' is to ignore a half-century of biting satire." In USA Today, Edna Gundersen pointed out that Dylan was "revisiting yuletide styles popularized by Nat King Cole, Mel Tormé, and the Ray Conniff Singers." Gundersen concluded that Dylan "couldn't sound more sentimental or sincere". In an interview published in The Big Issue, journalist Bill Flanagan asked Dylan why he had performed the songs in a straightforward style, and Dylan responded: "There wasn't any other way to play it. These songs are part of my life, just like folk songs. You have to play them straight too."
    Bob Dylan released his album Together Through Life on April 28, 2009.
    More Details Hide Details In a conversation with music journalist Bill Flanagan, published on Dylan's website, Dylan explained that the genesis of the record was when French film director Olivier Dahan asked him to supply a song for his new road movie, My Own Love Song; initially only intending to record a single track, "Life Is Hard," "the record sort of took its own direction". Nine of the ten songs on the album are credited as co-written by Bob Dylan and Robert Hunter. The album received largely favorable reviews, although several critics described it as a minor addition to Dylan's canon of work. Andy Gill wrote in The Independent that the record "features Dylan in fairly relaxed, spontaneous mood, content to grab such grooves and sentiments as flit momentarily across his radar. So while it may not contain too many landmark tracks, it's one of the most naturally enjoyable albums you'll hear all year."
    Then, in 2009, he gave the highest profile endorsement of his career, appearing with rapper will.i.am in a Pepsi ad that debuted during the telecast of Super Bowl XLIII.
    More Details Hide Details The ad, broadcast to a record audience of 98 million viewers, opened with Dylan singing the first verse of "Forever Young" followed by will.i.am doing a hip hop version of the song's third and final verse. In October 2008, Columbia released The Bootleg Series Vol. 8 – Tell Tale Signs as both a two-CD set and a three-CD version with a 150-page hardcover book. The set contains live performances and outtakes from selected studio albums from Oh Mercy to Modern Times, as well as soundtrack contributions and collaborations with David Bromberg and Ralph Stanley. The pricing of the album—the two-CD set went on sale for $18.99 and the three-CD version for $129.99—led to complaints about "rip-off packaging" from some fans and commentators. The release was widely acclaimed by critics. The abundance of alternative takes and unreleased material suggested to one reviewer that this volume of old outtakes "feels like a new Bob Dylan record, not only for the astonishing freshness of the material, but also for the incredible sound quality and organic feeling of everything here."
  • 2007
    Age 65
    Three years later, in October 2007, he participated in a multi-media campaign for the 2008 Cadillac Escalade.
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    On October 1, 2007, Columbia Records released the triple CD retrospective album Dylan, anthologising his entire career under the Dylan 07 logo.
    More Details Hide Details As part of this campaign, Mark Ronson produced a re-mix of Dylan's 1966 tune "Most Likely You Go Your Way and I'll Go Mine", which was released as a maxi-single. This was the first time Dylan had sanctioned a re-mix of one of his classic recordings. The sophistication of the Dylan 07 marketing campaign was a reminder that Dylan's commercial profile had risen considerably since the 1990s. This first became evident in 2004, when Dylan appeared in a TV advertisement for Victoria's Secret lingerie.
    In August 2007, the award-winning film biography of Dylan I'm Not There, written and directed by Todd Haynes, was released—bearing the tagline "inspired by the music and many lives of Bob Dylan".
    More Details Hide Details The movie used six different actors to represent different aspects of Dylan's life: Christian Bale, Cate Blanchett, Marcus Carl Franklin, Richard Gere, Heath Ledger and Ben Whishaw. Dylan's previously unreleased 1967 recording from which the film takes its name was released for the first time on the film's original soundtrack; all other tracks are covers of Dylan songs, specially recorded for the movie by a diverse range of artists, including Sonic Youth, Eddie Vedder, Mason Jennings, Stephen Malkmus, Jeff Tweedy, Karen O, Willie Nelson, Cat Power, Richie Havens, and Tom Verlaine.
  • 2006
    Age 64
    On August 29, 2006, Dylan released his Modern Times album.
    More Details Hide Details Despite some coarsening of Dylan's voice (a critic for The Guardian characterised his singing on the album as "a catarrhal death rattle") most reviewers praised the album, and many described it as the final installment of a successful trilogy, embracing Time Out of Mind and "Love and Theft". Modern Times entered the U.S. charts at number one, making it Dylan's first album to reach that position since 1976's Desire. The New York Times published an article exploring similarities between some of Dylan's lyrics in Modern Times and the work of the Civil War poet Henry Timrod. Nominated for three Grammy Awards, Modern Times won Best Contemporary Folk/Americana Album and Bob Dylan also won Best Solo Rock Vocal Performance for "Someday Baby". Modern Times was named Album of the Year, 2006, by Rolling Stone magazine, and by Uncut in the UK. On the same day that Modern Times was released the iTunes Music Store released Bob Dylan: The Collection, a digital box set containing all of his albums (773 tracks in total), along with 42 rare and unreleased tracks.
    May 3, 2006, was the premiere of Dylan's radio presenting career, hosting a weekly radio program, Theme Time Radio Hour, for XM Satellite Radio, with song selections revolving around a chosen theme.
    More Details Hide Details Dylan played classic and obscure records from the 1930s to the present day, including contemporary artists as diverse as Blur, Prince, L.L. Cool J and the Streets. The show was praised by fans and critics as "great radio," as Dylan told stories and made eclectic references with his sardonic humor, while achieving a thematic beauty with his musical choices. In April 2009, Dylan broadcast the 100th show in his radio series; the theme was "Goodbye" and the final record played was Woody Guthrie's "So Long, It's Been Good to Know Yuh". This has led to speculation that Dylan's radio series may have ended.
  • 2005
    Age 63
    No Direction Home, Martin Scorsese's acclaimed film biography of Dylan, was first broadcast on September 26–27, 2005, on BBC Two in the UK and PBS in the US.
    More Details Hide Details The documentary focuses on the period from Dylan's arrival in New York in 1961 to his motorcycle crash in 1966, featuring interviews with Suze Rotolo, Liam Clancy, Joan Baez, Allen Ginsberg, Pete Seeger, Mavis Staples, and Dylan himself. The film received a Peabody Award in April 2006 and a Columbia-duPont Award in January 2007. The accompanying soundtrack featured unreleased songs from Dylan's early career. Dylan earned yet another distinction in a 2007 study of US legal opinions and briefs that found his lyrics were quoted by judges and lawyers more than those of any other songwriter, 186 times versus 74 by the Beatles, who were second. Among those quoting Dylan were US Supreme Court Chief Justice John Roberts and Justice Antonin Scalia, both conservatives. The most widely cited lines included "you don't need a weatherman to know which way the wind blows" from "Subterranean Homesick Blues" and "when you ain't got nothing, you got nothing to lose" from "Like a Rolling Stone".
  • 2004
    Age 62
    In October 2004, Dylan published the first part of his autobiography, Chronicles: Volume One.
    More Details Hide Details Confounding expectations, Dylan devoted three chapters to his first year in New York City in 1961–1962, virtually ignoring the mid-1960s when his fame was at its height. He also devoted chapters to the albums New Morning (1970) and Oh Mercy (1989). The book reached number two on The New York Times Hardcover Non-Fiction best seller list in December 2004 and was nominated for a National Book Award.
  • 2003
    Age 61
    In 2003, Dylan revisited the evangelical songs from his "born again" period and participated in the CD project Gotta Serve Somebody: The Gospel Songs of Bob Dylan.
    More Details Hide Details That year Dylan also released the film Masked & Anonymous, which he co-wrote with director Larry Charles under the alias Sergei Petrov. Dylan played the central character in the film, Jack Fate, alongside a cast that included Jeff Bridges, Penélope Cruz and John Goodman. The film polarised critics: many dismissed it as an "incoherent mess"; a few treated it as a serious work of art.
  • FIFTIES
  • 2001
    Age 59
    Their marriage and child remained a closely guarded secret until the publication of Howard Sounes' Dylan biography, Down the Highway: The Life Of Bob Dylan in 2001.
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  • 2000
    Age 58
    Dylan commenced the new millennium by winning the Polar Music Prize in May 2000 and his first Oscar; his song "Things Have Changed", written for the film Wonder Boys, won an Academy Award in March 2001.
    More Details Hide Details The Oscar, by some reports a facsimile, tours with him, presiding over shows perched atop an amplifier. "Love and Theft" was released on September 11, 2001. Recorded with his touring band, Dylan produced the album himself under the pseudonym Jack Frost. The album was critically well received and earned nominations for several Grammy awards. Critics noted that Dylan was widening his musical palette to include rockabilly, Western swing, jazz, and even lounge ballads. "Love and Theft" generated controversy when The Wall Street Journal pointed out similarities between the album's lyrics and Japanese author Junichi Saga's book Confessions of a Yakuza.
  • 1999
    Age 57
    In 1999, Dylan embarked on a North American tour with Paul Simon, where each alternated as headline act with a "middle" section where they performed together, starting on the first of June and ending September 18.
    More Details Hide Details The collaboration was generally well-received, with just one critic, Seth Rogovoy, from the Berkshire Eagle, questioning the collaboration.
  • 1997
    Age 55
    In December 1997, U.S. President Bill Clinton presented Dylan with a Kennedy Center Honor in the East Room of the White House, paying this tribute: "He probably had more impact on people of my generation than any other creative artist.
    More Details Hide Details His voice and lyrics haven't always been easy on the ear, but throughout his career Bob Dylan has never aimed to please. He's disturbed the peace and discomforted the powerful."
    With a collection of songs reportedly written while snowed-in on his Minnesota ranch, Dylan booked recording time with Daniel Lanois at Miami's Criteria Studios in January 1997.
    More Details Hide Details The subsequent recording sessions were, by some accounts, fraught with musical tension. Before the album's release Dylan was hospitalized with a life-threatening heart infection, pericarditis, brought on by histoplasmosis. His scheduled European tour was cancelled, but Dylan made a speedy recovery and left the hospital saying, "I really thought I'd be seeing Elvis soon." He was back on the road by mid-year, and performed before Pope John Paul II at the World Eucharistic Conference in Bologna, Italy. The Pope treated the audience of 200,000 people to a homily based on Dylan's lyric "Blowin' in the Wind". In September Dylan released the new Lanois-produced album, Time Out of Mind. With its bitter assessment of love and morbid ruminations, Dylan's first collection of original songs in seven years was highly acclaimed. One critic wrote: "the songs themselves are uniformly powerful, adding up to Dylan's best overall collection in years." This collection of complex songs won him his first solo "Album of the Year" Grammy Award.
  • 1994
    Age 52
    Dylan's longtime road manager Victor Maymudes has claimed that the singer quit drinking alcohol in 1994.
    More Details Hide Details Maymudes felt that Dylan sobering up made him "more introverted and a little less social."
    In November 1994 Dylan recorded two live shows for MTV Unplugged.
    More Details Hide Details He said his wish to perform traditional songs was overruled by Sony executives who insisted on hits. The album from it, MTV Unplugged, included "John Brown", an unreleased 1962 song of how enthusiasm for war ends in mutilation and disillusionment.
  • 1992
    Age 50
    The couple divorced in October 1992.
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  • FORTIES
  • 1991
    Age 49
    In 1991, Dylan received a Grammy Lifetime Achievement Award from American actor Jack Nicholson.
    More Details Hide Details The event coincided with the start of the Gulf War against Saddam Hussein, and Dylan performed "Masters of War". Dylan then made a short speech, saying "My daddy once said to me, he said, 'Son, it is possible for you to become so defiled in this world that your own mother and father will abandon you. If that happens, God will believe in your ability to mend your own ways.'" This sentiment was subsequently revealed to be a quote from 19th-century German Jewish intellectual, Rabbi Samson Raphael Hirsch. Over the next few years Dylan returned to his roots with two albums covering folk and blues numbers: Good as I Been to You (1992) and World Gone Wrong (1993), featuring interpretations and acoustic guitar work. Many critics and fans commented on the quiet beauty of the song "Lone Pilgrim", written by a 19th-century teacher.
  • 1988
    Age 46
    Dylan co-founded the band with George Harrison, Jeff Lynne, Roy Orbison, and Tom Petty, and in late 1988 their multi-platinum Traveling Wilburys Vol. 1 reached three on the US album chart, featuring songs that were described as Dylan's most accessible compositions in years.
    More Details Hide Details Despite Orbison's death in December 1988, the remaining four recorded a second album in May 1990 with the title Traveling Wilburys Vol. 3. Dylan finished the decade on a critical high note with Oh Mercy produced by Daniel Lanois. Michael Gray wrote that the album was: "Attentively written, vocally distinctive, musically warm, and uncompromisingly professional, this cohesive whole is the nearest thing to a great Bob Dylan album in the 1980s." The track "Most of the Time", a lost love composition, was later prominently featured in the film High Fidelity, while "What Was It You Wanted?" has been interpreted both as a catechism and a wry comment on the expectations of critics and fans. The religious imagery of "Ring Them Bells" struck some critics as a re-affirmation of faith. Dylan's 1990s began with Under the Red Sky (1990), an about-face from the serious Oh Mercy. The album contained several apparently simple songs, including "Under the Red Sky" and "Wiggle Wiggle". The album was dedicated to "Gabby Goo Goo", a nickname for the daughter of Dylan and Carolyn Dennis, Desiree Gabrielle Dennis-Dylan, who was four. Sidemen on the album included George Harrison, Slash from Guns N' Roses, David Crosby, Bruce Hornsby, Stevie Ray Vaughan, and Elton John. Despite the line-up, the record received bad reviews and sold poorly.
    The album Down in the Groove in May 1988 sold even more unsuccessfully than his previous studio album.
    More Details Hide Details Michael Gray wrote: "The very title undercuts any idea that inspired work may lie within. Here was a further devaluing of the notion of a new Bob Dylan album as something significant." The critical and commercial disappointment of that album was swiftly followed by the success of the Traveling Wilburys.
    Dylan was inducted into the Rock and Roll Hall of Fame in January 1988, with Bruce Springsteen's introduction declaring, "Bob freed your mind the way Elvis freed your body.
    More Details Hide Details He showed us that just because music was innately physical did not mean that it was anti-intellectual.
  • 1987
    Age 45
    In 1987, Dylan starred in Richard Marquand's movie Hearts of Fire, in which he played Billy Parker, a washed-up rock star turned chicken farmer whose teenage lover, (Fiona), leaves him for a jaded English synth-pop sensation played by Rupert Everett.
    More Details Hide Details Dylan also contributed two original songs to the soundtrack—"Night After Night", and "I Had a Dream About You, Baby", as well as a cover of John Hiatt's "The Usual". The film was a critical and commercial flop.
    Dylan also toured with the Grateful Dead in 1987, resulting in a live album Dylan & The Dead.
    More Details Hide Details This received negative reviews: Allmusic said, "Quite possibly the worst album by either Bob Dylan or the Grateful Dead." Dylan then initiated what came to be called the Never Ending Tour on June 7, 1988, performing with a back-up band featuring guitarist G. E. Smith. Dylan continued to tour with a small, evolving band for the next 20 years.
  • 1986
    Age 44
    In 1986 and 1987, Dylan toured with Tom Petty and the Heartbreakers, sharing vocals with Petty on several songs each night.
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    By 1986, such uneven records weren't entirely unexpected by Dylan, but that didn't make them any less frustrating."
    More Details Hide Details It was the first Dylan album since Freewheelin' (1963) to fail to make the Top 50. Since then, some critics have called the 11-minute epic that Dylan co-wrote with Sam Shepard, "Brownsville Girl", a work of genius.
    Dylan's next studio album, Knocked Out Loaded, in July 1986 contained three covers (by Little Junior Parker, Kris Kristofferson and the gospel hymn "Precious Memories"), plus three collaborations with (Tom Petty, Sam Shepard and Carole Bayer Sager), and two solo compositions by Dylan.
    More Details Hide Details One reviewer commented that "the record follows too many detours to be consistently compelling, and some of those detours wind down roads that are indisputably dead ends.
    In April 1986, Dylan made a foray into rap music when he added vocals to the opening verse of "Street Rock", featured on Kurtis Blow's album Kingdom Blow.
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  • 1985
    Age 43
    Dylan sang on USA for Africa's famine relief single "We Are the World". On July 13, 1985, he appeared at the climax at the Live Aid concert at JFK Stadium, Philadelphia.
    More Details Hide Details Backed by Keith Richards and Ronnie Wood, he performed a ragged version of "Hollis Brown", his ballad of rural poverty, and then said to the worldwide audience exceeding one billion people: "I hope that some of the money... maybe they can just take a little bit of it, maybe... one or two million, maybe... and use it to pay the mortgages on some of the farms and, the farmers here, owe to the banks." His remarks were widely criticized as inappropriate, but they did inspire Willie Nelson to organize a series of events, Farm Aid, to benefit debt-ridden American farmers.
  • 1984
    Age 42
    Between July 1984 and March 1985, Dylan recorded Empire Burlesque.
    More Details Hide Details Arthur Baker, who had remixed hits for Bruce Springsteen and Cyndi Lauper, was asked to engineer and mix the album. Baker said he felt he was hired to make Dylan's album sound "a little bit more contemporary".
  • 1983
    Age 41
    In the 1980s, reception of Dylan's recordings varied, from the well-regarded Infidels in 1983 to the panned Down in the Groove in 1988.
    More Details Hide Details Michael Gray condemned Dylan's 1980s albums for carelessness in the studio and for failing to release his best songs. As an example of the latter, the Infidels recording sessions, which again employed Knopfler on lead guitar and also as the album's producer, resulted in several notable songs that Dylan left off the album. Best regarded of these were "Blind Willie McTell", a tribute to the dead blues musician and an evocation of African American history, "Foot of Pride" and "Lord Protect My Child". These three songs were released on The Bootleg Series Volumes 1–3 (Rare & Unreleased) 1961–1991.
  • THIRTIES
  • 1980
    Age 38
    In late 1980, Dylan briefly played concerts billed as "A Musical Retrospective", restoring popular 1960s songs to the repertoire.
    More Details Hide Details Shot of Love, recorded early the next year, featured his first secular compositions in more than two years, mixed with Christian songs. "Every Grain of Sand" reminded some of William Blake's verses.
  • 1979
    Age 37
    His second Christian-themed album, Saved (1980), received mixed reviews, described by Michael Gray as "the nearest thing to a follow-up album Dylan has ever made, Slow Train Coming II and inferior" When touring in late 1979 and early 1980, Dylan would not play his older, secular works, and he delivered declarations of his faith from the stage, such as:
    More Details Hide Details Dylan's Christianity was unpopular with some fans and musicians. Shortly before his murder, John Lennon recorded "Serve Yourself" in response to Dylan's "Gotta Serve Somebody". By 1981, Stephen Holden wrote in the New York Times that "neither age (he's now 40) nor his much-publicized conversion to born-again Christianity has altered his essentially iconoclastic temperament."
  • 1978
    Age 36
    The 1978 tour grossed more than $20 million, and Dylan told the Los Angeles Times that he had debts because "I had a couple of bad years.
    More Details Hide Details I put a lot of money into the movie, built a big house... and it costs a lot to get divorced in California."
    When Dylan brought the tour to the U.S. in September 1978, the press described the look and sound as a 'Las Vegas Tour'.
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    In 1978, Dylan embarked on a year-long world tour, performing 114 shows in Japan, the Far East, Europe and the US, to a total audience of two million.
    More Details Hide Details Dylan assembled an eight piece band and three backing singers. Concerts in Tokyo in February and March were released as the live double album, Bob Dylan At Budokan. Reviews were mixed. Robert Christgau awarded the album a C+ rating, giving the album a derisory review, while Janet Maslin defended it in Rolling Stone, writing: "These latest live versions of his old songs have the effect of liberating Bob Dylan from the originals."
    In April and May 1978, Dylan took the same band and vocalists into Rundown Studios in Santa Monica, California, to record an album of new material: Street-Legal.
    More Details Hide Details It was described by Michael Gray as, "after Blood On The Tracks, arguably Dylan's best record of the 1970s: a crucial album documenting a crucial period in Dylan's own life". However, it had poor sound and mixing (attributed to Dylan's studio practices), muddying the instrumental detail until a remastered CD release in 1999 restored some of the songs' strengths. In the late 1970s, Dylan became a born again Christian and released two albums of contemporary gospel music. Slow Train Coming (1979) featured the guitar accompaniment of Mark Knopfler (of Dire Straits) and was produced by veteran R&B producer Jerry Wexler. Wexler said that Dylan had tried to evangelize him during the recording. He replied: "Bob, you're dealing with a 62-year-old Jewish atheist. Let's just make an album." Dylan won the Grammy Award for Best Male Rock Vocal Performance for the song "Gotta Serve Somebody".
  • 1977
    Age 35
    Bob and Sara Dylan were divorced on June 29, 1977. Maria married musician Peter Himmelman in 1988.
    More Details Hide Details In the 1990s, Dylan's son Jakob became well known as the lead singer of the band The Wallflowers. Jesse Dylan is a film director and a successful businessman. Desiree Gabrielle Dennis-Dylan, Dylan's daughter with his backup singer Carolyn Dennis (often professionally known as Carol Dennis), was born on January 31, 1986, and Dylan married Carolyn Dennis on June 4, 1986.
  • 1976
    Age 34
    In 1976, Dylan wrote and duetted on "Sign Language" for Eric Clapton's No Reason To Cry.
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    In November 1976, Dylan appeared at the Band's "farewell" concert, with Eric Clapton, Joni Mitchell, Muddy Waters, Van Morrison and Neil Young.
    More Details Hide Details Martin Scorsese's cinematic chronicle, The Last Waltz, in 1978 included about half of Dylan's set.
  • 1975
    Age 33
    The 1975 tour with the Revue provided the backdrop to Dylan's nearly four-hour film Renaldo and Clara, a sprawling narrative mixed with concert footage and reminiscences.
    More Details Hide Details Released in 1978, the movie received poor, sometimes scathing, reviews. Later in that year, a two-hour edit, dominated by the concert performances, was more widely released.
    Running through late 1975 and again through early 1976, the tour encompassed the release of the album Desire, with many of Dylan's new songs featuring a travelogue-like narrative style, showing the influence of his new collaborator, playwright Jacques Levy.
    More Details Hide Details The 1976 half of the tour was documented by a TV concert special, Hard Rain, and the LP Hard Rain; no concert album from the better-received and better-known opening half of the tour was released until 2002's Live 1975.
  • 1974
    Age 32
    After the tour, Dylan and his wife became estranged. He filled a small red notebook with songs about relationships and ruptures, and recorded an album entitled Blood on the Tracks in September 1974.
    More Details Hide Details Dylan delayed the release and re-recorded half the songs at Sound 80 Studios in Minneapolis with production assistance from his brother, David Zimmerman. Released in early 1975, Blood on the Tracks received mixed reviews. In the NME, Nick Kent described "the accompaniments as often so trashy they sound like mere practice takes." In Rolling Stone, Jon Landau wrote that "the record has been made with typical shoddiness." Over the years critics came to see it as one of Dylan's greatest achievements. In Salon.com, Bill Wyman wrote: "Blood on the Tracks is his only flawless album and his best produced; the songs, each of them, are constructed in disciplined fashion. It is his kindest album and most dismayed, and seems in hindsight to have achieved a sublime balance between the logorrhea-plagued excesses of his mid-1960s output and the self-consciously simple compositions of his post-accident years." Novelist Rick Moody called it "the truest, most honest account of a love affair from tip to stern ever put down on magnetic tape."
    Dylan had second thoughts about Asylum, miffed that while there had been millions of unfulfilled ticket requests for the 1974 tour, Geffen had sold only 700,000 copies of Planet Waves.
    More Details Hide Details Dylan returned to Columbia Records, which reissued his two Asylum albums.
    Columbia Records simultaneously released Dylan, a collection of studio outtakes (almost exclusively covers), widely interpreted as a churlish response to Dylan's signing with a rival record label. In January 1974, Dylan returned to touring after seven years; backed by the Band, he embarked on a North American tour of 40 concerts.
    More Details Hide Details A live double album, Before the Flood, was on Asylum Records. Soon, according to Clive Davis, Columbia Records sent word they "will spare nothing to bring Dylan back into the fold".
  • 1973
    Age 31
    Dylan began 1973 by signing with a new label, David Geffen's Asylum Records, when his contract with Columbia Records expired.
    More Details Hide Details On his next album, Planet Waves, he used the Band as backing group, while rehearsing for a tour. The album included two versions of "Forever Young", which became one of his most popular songs. As one critic described it, the song projected "something hymnal and heartfelt that spoke of the father in Dylan", and Dylan himself commented: "I wrote it thinking about one of my boys and not wanting to be too sentimental."
  • 1972
    Age 30
    In 1972, Dylan signed to Sam Peckinpah's film Pat Garrett and Billy the Kid, providing songs and backing music for the movie, and playing "Alias", a member of Billy's gang with some historical basis.
    More Details Hide Details Despite the film's failure at the box office, the song "Knockin' on Heaven's Door" became one of Dylan's most covered songs.
    Dylan contributed piano and harmony to Steve Goodman's album, Somebody Else's Troubles, under the pseudonym Robert Milkwood Thomas in September 1972.
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  • TWENTIES
  • 1971
    Age 29
    Around the time of his 30th birthday, in 1971, Dylan visited Israel, and also met Rabbi Meir Kahane, founder of the New York-based Jewish Defense League.
    More Details Hide Details Time magazine quoted him saying about Kahane, "He's a really sincere guy. He's really put it all together." Subsequently, Dylan downplayed the extent of his contact with Kahane. During the late 1970s and early 1980s, Dylan converted to Christianity. From January to April 1979, he participated in Bible study classes at the Vineyard School of Discipleship in Reseda, California. Pastor Kenn Gulliksen has recalled: "Larry Myers and Paul Emond went over to Bob's house and ministered to him. He responded by saying, 'Yes he did in fact want Christ in his life.' And he prayed that day and received the Lord." By 1984, Dylan was distancing himself from the "born again" label. He told Kurt Loder of Rolling Stone magazine: "I've never said I'm born again. That's just a media term. I don't think I've been an agnostic. I've always thought there's a superior power, that this is not the real world and that there's a world to come." In response to Loder's asking whether he belonged to any church or synagogue, Dylan laughingly replied, "Not really. Uh, the Church of the Poison Mind." In 1997 he told David Gates of Newsweek:
    On November 4, 1971, Dylan recorded "George Jackson", which he released a week later.
    More Details Hide Details For many, the single was a surprising return to protest material, mourning the killing of Black Panther George Jackson in San Quentin State Prison that year.
    Between March 16 and 19, 1971, Dylan reserved three days at Blue Rock, a small studio in Greenwich Village to record with Leon Russell.
    More Details Hide Details These sessions resulted in "Watching the River Flow" and a new recording of "When I Paint My Masterpiece".
    Dylan's surprise appearance at Harrison's 1971 Concert for Bangladesh attracted media coverage, reflecting that Dylan's live appearances had become rare.
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  • 1970
    Age 28
    This album included "Day of the Locusts", a song in which Dylan gave an account of receiving an honorary degree from Princeton University on June 9, 1970.
    More Details Hide Details In November 1968, Dylan had co-written "I'd Have You Anytime" with George Harrison; Harrison recorded "I'd Have You Anytime" and Dylan's "If Not for You" for his 1970 solo triple album All Things Must Pass.
    In October 1970, Dylan released New Morning, considered a return to form.
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  • 1969
    Age 27
    Dylan next traveled to England to top the bill at the Isle of Wight festival on August 31, 1969, after rejecting overtures to appear at the Woodstock Festival closer to his home.
    More Details Hide Details In the early 1970s, critics charged that Dylan's output was varied and unpredictable. Rolling Stone writer Greil Marcus asked "What is this shit?" on first listening to Self Portrait, released in June 1970. Self Portrait, a double LP including few original songs, was poorly received.
    In May 1969, Dylan appeared on the first episode of Johnny Cash's television show, duetting with Cash on "Girl from the North Country", "I Threw It All Away", and "Living the Blues".
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  • 1967
    Age 25
    Woody Guthrie died on October 3, 1967, and Dylan made his first live appearance in twenty months at a Guthrie memorial concert held at Carnegie Hall on January 20, 1968, where he was backed by the Band.
    More Details Hide Details Dylan's next release, Nashville Skyline (1969), was mainstream country featuring Nashville musicians, a mellow-voiced Dylan, a duet with Johnny Cash, and the hit single "Lay Lady Lay". Variety wrote, "Dylan is definitely doing something that can be called singing. Somehow he has managed to add an octave to his range." Dylan and Cash also recorded a series of duets, but only their recording of Dylan's "Girl from the North Country" was used on the album.
    In October and November 1967, Dylan returned to Nashville.
    More Details Hide Details Back in the studio after 19 months, he was accompanied by Charlie McCoy on bass, Kenny Buttrey on drums, and Pete Drake on steel guitar. The result was John Wesley Harding, a contemplative record of shorter songs, set in a landscape that drew on the American West and the Bible. The sparse structure and instrumentation, with lyrics that took the Judeo-Christian tradition seriously, departed from Dylan's own work and from the psychedelic fervor of the 1960s. It included "All Along the Watchtower", with lyrics derived from the Book of Isaiah (21:5–9). The song was later recorded by Jimi Hendrix, whose version Dylan acknowledged as definitive.
    Over the years, more songs recorded by Dylan and his band in 1967 appeared on bootleg recordings, culminating in a five-CD set titled The Genuine Basement Tapes, containing 107 songs and alternative takes.
    More Details Hide Details In the coming months, the Hawks recorded the album Music from Big Pink using songs they worked on in their basement in Woodstock, and renamed themselves the Band, beginning a long recording and performing career of their own.
    In 1967 he began recording with the Hawks at his home and in the basement of the Hawks' nearby house, "Big Pink".
    More Details Hide Details These songs, initially demos for other artists to record, provided hits for Julie Driscoll and the Brian Auger Trinity ("This Wheel's on Fire"), The Byrds ("You Ain't Goin' Nowhere", "Nothing Was Delivered"), and Manfred Mann ("Mighty Quinn"). Columbia released selections in 1975 as The Basement Tapes.
  • 1966
    Age 24
    In the middle of that year, Dylan wrote a ballad championing boxer Rubin "Hurricane" Carter, imprisoned for a triple murder in Paterson, New Jersey, in 1966.
    More Details Hide Details After visiting Carter in jail, Dylan wrote "Hurricane", presenting the case for Carter's innocence. Despite its length—over eight minutes—the song was released as a single, peaking at 33 on the U.S. Billboard chart, and performed at every 1975 date of Dylan's next tour, the Rolling Thunder Revue. The tour featured about one hundred performers and supporters from the Greenwich Village folk scene, including T-Bone Burnett, Ramblin' Jack Elliott, Joni Mitchell, David Mansfield, Roger McGuinn, Mick Ronson, Joan Baez, and Scarlet Rivera, whom Dylan discovered walking down the street, her violin case on her back. Allen Ginsberg accompanied the troupe, staging scenes for the film Dylan was shooting. Sam Shepard was hired to write the screenplay, but ended up accompanying the tour as informal chronicler.
    Once Dylan was well enough to resume creative work, he began to edit D. A. Pennebaker's film of his 1966 tour.
    More Details Hide Details A rough cut was shown to ABC Television and rejected as incomprehensible to a mainstream audience. The film was subsequently titled Eat the Document on bootleg copies, and it has been screened at a handful of film festivals.
    On July 29, 1966, Dylan crashed his 500cc Triumph Tiger 100 motorcycle near his home in Woodstock, New York and was thrown to the ground.
    More Details Hide Details Though the extent of his injuries was never disclosed, Dylan said that he broke several vertebrae in his neck. Mystery still surrounds the circumstances of the accident since no ambulance was called to the scene and Dylan was not hospitalized. Dylan's biographers have written that the crash offered Dylan the chance to escape the pressures around him. Dylan confirmed this interpretation in his autobiography: "I had been in a motorcycle accident and I'd been hurt, but I recovered. Truth was that I wanted to get out of the rat race." Dylan withdrew from public and, apart from a few appearances, did not tour again for almost eight years.
    During his 1966 tour, Dylan was described as exhausted and acting "as if on a death trip".
    More Details Hide Details D. A. Pennebaker, the film maker accompanying the tour, described Dylan as "taking a lot of amphetamine and who-knows-what-else." In a 1969 interview with Jann Wenner, Dylan said, "I was on the road for almost five years. It wore me down. I was on drugs, a lot of things... just to keep going, you know?" In 2011, BBC Radio 4 reported that, in an interview that Robert Shelton taped in 1966, Dylan said he had kicked heroin in New York City: "I got very, very strung out for a while... I had about a $25-a-day habit and I kicked it." Some journalists questioned the validity of this confession, pointing out that Dylan had "been telling journalists wild lies about his past since the earliest days of his career." After his tour, Dylan returned to New York, but the pressures increased. ABC Television had paid an advance for a TV show. His publisher, Macmillan, was demanding a manuscript of the poem/novel Tarantula. Manager Albert Grossman had scheduled a concert tour for the latter part of the year.
    The tour culminated in a raucous confrontation between Dylan and his audience at the Manchester Free Trade Hall in England on May 17, 1966.
    More Details Hide Details A recording of this concert was released in 1998: The Bootleg Series Vol. 4: Bob Dylan Live 1966. At the climax of the evening, a member of the audience, angered by Dylan's electric backing, shouted: "Judas!" to which Dylan responded, "I don't believe you... You're a liar!" Dylan turned to his band and said, "Play it fucking loud!" as they launched into the final song of the night—"Like a Rolling Stone".
    Dylan toured Australia and Europe in April and May 1966.
    More Details Hide Details Each show was split in two. Dylan performed solo during the first half, accompanying himself on acoustic guitar and harmonica. In the second, backed by the Hawks, he played electrically amplified music. This contrast provoked many fans, who jeered and slow handclapped.
  • 1965
    Age 23
    Dylan married Sara Lownds on November 22, 1965.
    More Details Hide Details Their first child, Jesse Byron Dylan, was born on January 6, 1966, and they had three more children: Anna Lea (born July 11, 1967), Samuel Isaac Abram (born July 30, 1968), and Jakob Luke (born December 9, 1969). Dylan also adopted Sara's daughter from a prior marriage, Maria Lownds (later Dylan, born October 21, 1961).
    Legacy Recordings president Adam Block said: "While doing the archival research for The Cutting Edge 1965-1966, last year’s box set of Dylan’ mid-’60s studio sessions, we were continually struck by how great his 1966 live recordings really are."
    More Details Hide Details The recordings commence with the concert in Sydney, Australia, on April 13, 1966, and end with the Royal Albert Hall concert in London on May 27. The liner notes for the set are by Clinton Heylin, author of the book, Judas!: From Forest Hills to the Free Trade Hall: A Historical View of Dylan’s Big Boo, a study of the 1966 tour. The Never Ending Tour commenced on June 7, 1988, and Dylan has played roughly 100 dates a year for the entirety of the 1990s and 2000s—a heavier schedule than most performers who started out in the 1960s. By May 2013, Dylan and his band had played more than 2,500 shows, anchored by long-time bassist Tony Garnier, drummer George Recile, multi-instrumentalist Donnie Herron, and guitarist Charlie Sexton. To the dismay of some of his audience, Dylan's performances remain unpredictable as he alters his arrangements and changes his vocal approach night after night. Critical opinion about Dylan's shows remains divided. Critics such as Richard Williams and Andy Gill have argued that Dylan has found a successful way to present his rich legacy of material. Others have criticized his live performances for mangling and spitting out "the greatest lyrics ever written so that they are effectively unrecognisable", and giving so little to the audience that "it is difficult to understand what he is doing on stage at all."
    On November 22, 1965, Dylan secretly married 25-year-old former model Sara Lownds.
    More Details Hide Details Some of Dylan's friends, including Ramblin' Jack Elliott, say that, immediately after the event, Dylan denied he was married. Journalist Nora Ephron made the news public in the New York Post in February 1966 with the headline "Hush! Bob Dylan is wed."
    From September 24, 1965, in Austin, Texas, Dylan toured the U.S. and Canada for six months, backed by the five musicians from the Hawks who became known as the Band.
    More Details Hide Details While Dylan and the Hawks met increasingly receptive audiences, their studio efforts floundered. Producer Bob Johnston persuaded Dylan to record in Nashville in February 1966, and surrounded him with top-notch session men. At Dylan's insistence, Robertson and Kooper came from New York City to play on the sessions. The Nashville sessions produced the double album Blonde on Blonde (1966), featuring what Dylan called "that thin wild mercury sound". Kooper described it as "taking two cultures and smashing them together with a huge explosion": the musical world of Nashville and the world of the "quintessential New York hipster" Bob Dylan.
    In 1965, heading the Newport Folk Festival, Dylan performed his first electric set since high school with a pickup group mostly from the Paul Butterfield Blues Band, featuring Mike Bloomfield (guitar), Sam Lay (drums) and Jerome Arnold (bass), plus Al Kooper (organ) and Barry Goldberg (piano).
    More Details Hide Details Dylan had appeared at Newport in 1963 and 1964, but in 1965 met with cheering and booing and left the stage after three songs. One version has it that the boos were from folk fans whom Dylan had alienated by appearing, unexpectedly, with an electric guitar. Murray Lerner, who filmed the performance, said: "I absolutely think that they were booing Dylan going electric." An alternative account claims audience members were upset by poor sound and a short set. This account is supported by Kooper and one of the directors of the festival, who reports his recording proves the only boos were in reaction to the MC's announcement that there was only enough time for a short set. Nevertheless, Dylan's performance provoked a hostile response from the folk music establishment. In the September issue of Sing Out! Ewan MacColl wrote: "Our traditional songs and ballads are the creations of extraordinarily talented artists working inside disciplines formulated over time 'But what of Bobby Dylan?' scream the outraged teenagers... Only a completely non-critical audience, nourished on the watery pap of pop music, could have fallen for such tenth-rate drivel." On July 29, four days after Newport, Dylan was back in the studio in New York, recording "Positively 4th Street". The lyrics contained images of vengeance and paranoia, and it has been interpreted as Dylan's put-down of former friends from the folk community—friends he had known in clubs along West 4th Street.
    The song was provided with an early video, which opened D. A. Pennebaker's cinéma vérité presentation of Dylan's 1965 tour of Great Britain, Dont Look Back.
    More Details Hide Details Instead of miming, Dylan illustrated the lyrics by throwing cue cards containing key words from the song on the ground. Pennebaker said the sequence was Dylan's idea, and it has been imitated in music videos and advertisements. The second side of Bringing It All Back Home contained four long songs on which Dylan accompanied himself on acoustic guitar and harmonica. "Mr. Tambourine Man" became one of his best known songs when The Byrds recorded an electric version that reached number one in the US and UK. "It's All Over Now, Baby Blue" and "It's Alright Ma (I'm Only Bleeding)" were two of Dylan's most important compositions.
    Dylan's late March 1965 album Bringing It All Back Home was another leap, featuring his first recordings with electric instruments.
    More Details Hide Details The first single, "Subterranean Homesick Blues", owed much to Chuck Berry's "Too Much Monkey Business"; its free association lyrics described as harkening back to the energy of beat poetry and as a forerunner of rap and hip-hop.
  • 1964
    Age 22
    In the latter half of 1964 and 1965, Dylan moved from folk songwriter to folk-rock pop-music star.
    More Details Hide Details His jeans and work shirts were replaced by a Carnaby Street wardrobe, sunglasses day or night, and pointed "Beatle boots". A London reporter wrote: "Hair that would set the teeth of a comb on edge. A loud shirt that would dim the neon lights of Leicester Square. He looks like an undernourished cockatoo." Dylan began to spar with interviewers. Appearing on the Les Crane television show and asked about a movie he planned, he told Crane it would be a cowboy horror movie. Asked if he played the cowboy, Dylan replied, "No, I play my mother."
    Another Side of Bob Dylan, recorded on a single evening in June 1964, had a lighter mood.
    More Details Hide Details The humorous Dylan reemerged on "I Shall Be Free No. 10" and "Motorpsycho Nightmare". "Spanish Harlem Incident" and "To Ramona" are passionate love songs, while "Black Crow Blues" and "I Don't Believe You (She Acts Like We Never Have Met)" suggest the rock and roll soon to dominate Dylan's music. "It Ain't Me Babe", on the surface a song about spurned love, has been described as a rejection of the role of political spokesman thrust upon him. His newest direction was signaled by two lengthy songs: the impressionistic "Chimes of Freedom", which sets social commentary against a metaphorical landscape in a style characterized by Allen Ginsberg as "chains of flashing images," and "My Back Pages", which attacks the simplistic and arch seriousness of his own earlier topical songs and seems to predict the backlash he was about to encounter from his former champions as he took a new direction.
  • 1963
    Age 21
    By the end of 1963, Dylan felt both manipulated and constrained by the folk and protest movements.
    More Details Hide Details Accepting the "Tom Paine Award" from the National Emergency Civil Liberties Committee shortly after the assassination of John F. Kennedy, an intoxicated Dylan questioned the role of the committee, characterized the members as old and balding, and claimed to see something of himself and of every man in Kennedy's assassin, Lee Harvey Oswald.
    By this time, Dylan and Baez were prominent in the civil rights movement, singing together at the March on Washington on August 28, 1963.
    More Details Hide Details Dylan's third album, The Times They Are a-Changin', reflected a more politicized and cynical Dylan. The songs often took as their subject matter contemporary stories, with "Only A Pawn In Their Game" addressing the murder of civil rights worker Medgar Evers; and the Brechtian "The Lonesome Death of Hattie Carroll" the death of black hotel barmaid Hattie Carroll, at the hands of young white socialite William Zantzinger. On a more general theme, "Ballad of Hollis Brown" and "North Country Blues" addressed despair engendered by the breakdown of farming and mining communities. This political material was accompanied by two personal love songs, "Boots of Spanish Leather" and "One Too Many Mornings".
    In May 1963, Dylan's political profile rose when he walked out of The Ed Sullivan Show.
    More Details Hide Details During rehearsals, Dylan had been told by CBS television's head of program practices that "Talkin' John Birch Paranoid Blues" was potentially libelous to the John Birch Society. Rather than comply with censorship, Dylan refused to appear.
    By the time of Dylan's second album, The Freewheelin' Bob Dylan, in May 1963, he had begun to make his name as a singer and a songwriter.
    More Details Hide Details Many songs on this album were labeled protest songs, inspired partly by Guthrie and influenced by Pete Seeger's passion for topical songs. "Oxford Town", for example, was an account of James Meredith's ordeal as the first black student to risk enrollment at the University of Mississippi. The first song on the Freewheelin album, "Blowin' in the Wind", partly derived its melody from the traditional slave song, "No More Auction Block", while its lyrics questioned the social and political status quo. The song was widely recorded by other artists and became a hit for Peter, Paul and Mary. Another Freewheelin song, "A Hard Rain's a-Gonna Fall" was based on the folk ballad "Lord Randall". With veiled references to an impending apocalypse, the song gained more resonance when the Cuban Missile Crisis developed a few weeks after Dylan began performing it. Like "Blowin' in the Wind", "A Hard Rain's a-Gonna Fall" marked a new direction in songwriting, blending a stream-of-consciousness, imagist lyrical attack with traditional folk form.
  • 1962
    Age 20
    Bill Prince in GQ commented: "A performer who's had to hear his influence in virtually every white pop recording made since he debuted his own self-titled album back in 1962 imagines himself into the songs of his pre-rock'n'roll early youth."
    More Details Hide Details In The Independent, Andy Gill wrote that the recordings "have a lingering, languid charm, which... help to liberate the material from the rusting manacles of big-band and cabaret mannerisms." The album debuted at number one in the UK albums chart in its first week of release.
    Dylan made his first trip to the United Kingdom from December 1962 to January 1963.
    More Details Hide Details He had been invited by TV director Philip Saville to appear in a drama, Madhouse on Castle Street, which Saville was directing for BBC Television. At the end of the play, Dylan performed "Blowin' in the Wind", one of its first public performances. The film recording of Madhouse on Castle Street was destroyed by the BBC in 1968. While in London, Dylan performed at London folk clubs, including the Troubadour, Les Cousins, and Bunjies. He also learned material from UK performers, including Martin Carthy.
    Dylan made two important career moves in August 1962: he legally changed his name to Robert Dylan, and he signed a management contract with Albert Grossman. (In June 1961, Dylan had signed an agreement with Roy Silver.
    More Details Hide Details In 1962, Grossman paid Silver $10,000 to become sole manager.) Grossman remained Dylan's manager until 1970, and was notable for his sometimes confrontational personality and for protective loyalty. Dylan said, "He was kind of like a Colonel Tom Parker figure... you could smell him coming." Tensions between Grossman and John Hammond led to Hammond's being replaced as producer of Dylan's second album by the young African-American jazz producer, Tom Wilson.
    In March 1962, Dylan contributed harmonica and back-up vocals to the album Three Kings and the Queen, accompanying Victoria Spivey and Big Joe Williams on a recording for Spivey Records.
    More Details Hide Details While working for Columbia, Dylan recorded under the pseudonym Blind Boy Grunt, for Broadside, a folk magazine and record label. Dylan used the pseudonym Bob Landy to record as a piano player on The Blues Project, a 1964 anthology album by Elektra Records. As Tedham Porterhouse, Dylan played harmonica on Ramblin' Jack Elliott's 1964 album, Jack Elliott.
    The performances on his first Columbia album—Bob Dylan—in March 1962, consisted of familiar folk, blues and gospel with two original compositions.
    More Details Hide Details The album sold only 5,000 in its first year, just enough to break even. Within Columbia Records, some referred to the singer as "Hammond's Folly" and suggested dropping his contract, but Hammond defended Dylan and was supported by Johnny Cash.
  • TEENAGE
  • 1961
    Age 19
    From February 1961, Dylan played at clubs around Greenwich Village.
    More Details Hide Details He befriended and picked up material from folk singers there, including Dave Van Ronk, Fred Neil, Odetta, the New Lost City Ramblers, and Irish musicians the Clancy Brothers and Tommy Makem. In September, Dylan gained public recognition when Robert Shelton wrote a review in The New York Times of a show at Gerde's Folk City. The same month Dylan played harmonica on folk singer Carolyn Hester's third album, which brought his talents to the attention of the album's producer, John Hammond. Hammond signed Dylan to Columbia Records in October.
    In January 1961, he traveled to New York City, to perform there and visit his musical idol Woody Guthrie, who was seriously ill with Huntington's disease in Greystone Park Psychiatric Hospital.
    More Details Hide Details Guthrie had been a revelation to Dylan and influenced his early performances. Describing Guthrie's impact, he wrote: "The songs themselves had the infinite sweep of humanity in them... He was the true voice of the American spirit. I said to myself I was going to be Guthrie's greatest disciple." As well as visiting Guthrie in hospital, Dylan befriended Guthrie's acolyte Ramblin' Jack Elliott. Much of Guthrie's repertoire was channeled through Elliott, and Dylan paid tribute to Elliott in Chronicles: Volume One.
  • 1960
    Age 18
    In May 1960, Dylan dropped out of college at the end of his first year.
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  • 1959
    Age 17
    In 1959, his high school yearbook carried the caption "Robert Zimmerman: to join 'Little Richard'."
    More Details Hide Details The same year, as Elston Gunnn, he performed two dates with Bobby Vee, playing piano and clapping. Zimmerman moved to Minneapolis in September 1959 and enrolled at the University of Minnesota. His focus on rock and roll gave way to American folk music. In 1985, he said: He began to perform at the Ten O'Clock Scholar, a coffeehouse a few blocks from campus, and became involved in the Dinkytown folk music circuit. During his Dinkytown days, Zimmerman began introducing himself as "Bob Dylan". In his memoir, Dylan acknowledged that he had been influenced by the poetry of Dylan Thomas. Explaining his change of name in a 2004 interview, Dylan remarked, "You're born, you know, the wrong names, wrong parents. I mean, that happens. You call yourself what you want to call yourself. This is the land of the free."
  • 1953
    Age 11
    Dylan had helped to curate this project, in which songs unfinished when Williams died in 1953 were completed and recorded by a variety of artists, including Dylan himself, his son Jakob Dylan, Levon Helm, Norah Jones, Jack White, and others.
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  • CHILDHOOD
  • 1941
    Born
    Bob Dylan was born Robert Allen Zimmerman (Hebrew name Zisl ben Avraham) in St Mary's Hospital on May 24, 1941, in Duluth, Minnesota, and raised in Hibbing, Minnesota, on the Mesabi Range west of Lake Superior.
    More Details Hide Details He has a younger brother, David. Dylan's paternal grandparents, Zigman and Anna Zimmerman, emigrated from Odessa, in the Russian Empire (now Ukraine), to the United States following the anti-Semitic pogroms of 1905. His maternal grandparents, Ben and Florence Stone, were Lithuanian Jews who arrived in the United States in 1902. In his autobiography, Chronicles: Volume One, Dylan wrote that his paternal grandmother's maiden name was Kirghiz and her family originated from Kağızman district of Kars Province in northeastern Turkey. Dylan's parents, Abram Zimmerman and Beatrice "Beatty" Stone, were part of a small, close-knit Jewish community. They lived in Duluth until Robert was six, when his father had polio and the family returned to his mother's hometown, Hibbing, where they lived for the rest of Robert's childhood. In his early years he listened to the radio—first to blues and country stations from Shreveport, Louisiana and later, when he was a teenager, to rock and roll. He formed several bands while attending Hibbing High School. In the Golden Chords, he performed covers of songs by Little Richard and Elvis Presley. Their performance of Danny & the Juniors' "Rock and Roll Is Here to Stay" at their high school talent show was so loud that the principal cut the microphone.
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