Diane Keaton
Actor
Diane Keaton
Diane Keaton is an American film actress, director, producer, and screenwriter. Keaton began her career on stage, and made her screen debut in 1970. Her first major film role was as Kay Adams-Corleone in The Godfather (1972), but the films that shaped her early career were those with director and co-star Woody Allen beginning with Play It Again, Sam in 1972.
Biography
Diane Keaton's personal information overview.
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News
News abour Diane Keaton from around the web
HBO Is About To Premiere A Series About An Attractive, Conniving Pope
Huffington Post - about 2 months
While Pope Francis preaches Christian unity and encourages mothers to breastfeed in church, HBO is about to premiere a show about a very different kind of pontiff. “The Young Pope” stars British actor Jude Law as Lenny Belardo, the mysterious, fictional Pope Pius XIII and former Archbishop of New York. He’s just 47 years old, an orphan and the first American pope in history. The show frames Pope Pius XIII’s election as a media strategy finagled by the College of Cardinals to secure a naive and malleable pontiff. The young pope is anything but. He rejects church hierarchy, as well as what he sees as liberalizing forces within the Vatican ― without specifically referencing Pope Francis or the present-day realities of the church ― and opts instead to confide only in the nun who raised him from childhood, played by Diane Keaton. The show premieres in the U.S. on January 15 and already received rave reviews in Italy and the UK, where it debuted late last year. The Hollywood ...
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In Two Challenging 'Postfeminist' Movies, Isabelle Huppert's Long Career Comes Full-Circle
Huffington Post - 4 months
In France, according to Isabelle Huppert, actresses’ currency isn’t bankrupted as they mature. Unlike the cliché surrounding American film careers, their ages are “completely irrelevant.” Which explains why, at 64, Huppert is enjoying a banner year. The Paris native has won raves for two movies opening before 2016’s end: the psychosexual thriller “Elle” and the divorce drama “Things To Come.”  Huppert is the Meryl Streep of France. She has more nominations from the César Awards ― the French equivalent of the Oscars ― than any other actress. But her on-camera persona is far subtler than Streep’s. Already a fixture among stateside cinephiles, Huppert may see her profile rise with moviegoers over the next few months. She is part of the Oscars’ heated Best Actress derby, a European veteran who could slip in the way Charlotte Rampling deservedly did for last year’s “45 Years.” (For what it’s worth, Huppert considers any Rampling comparisons a compliment.) Before awards season become ...
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Huffington Post article
Warren Beatty Feted at Museum of the Moving Image Gala
Huffington Post - 4 months
Warren Beatty, Hollywood legend and famed boulevardier, starred in or directed and wrote the movies Splendor in the Grass, Bonnie and Clyde, McCabe & Mrs. Miller, Shampoo, Bulworth, and Reds, to name a few, so now that he has his first film in many years, the long awaited Rules Rules Don't Apply, it is fitting that the Museum of the Moving Image Image honor him. From this great night of speeches and clips this week, an observation beyond Carly Simon's "You're So Vain" was evident: eccentric, beyond the pale, this man is much beloved. Guests included Elaine May, Jeanne Berlin, Barry Diller, Mandy Patinkin, Lee Grant, Robert Benton, Barry Levinson, James Toback, Oliver Platt, and Michael Barker, some legendary figures themselves; many provided a piece of movie history in their accolades. Matthew Broderick with Sarah Jessica Parker, and Haley Bennett attended too. Paul Sorvino said he makes actors feel free and beautifully guided. The Rules Don't Apply stars Alden Ehrenreich and Lil ...
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Huffington Post article
Diane Keaton to receive AFI Life Achievement Award
LATimes - 5 months
Well, la-di-da. Diane Keaton will receive the 45th AFI Life Achievement Award, the  American Film Institute’s highest honor for a career in film, in a gala tribute on June 8. The event will be broadcast on TNT with encore presentations on Turner Classic Movies.  "Diane Keaton is one of the most...
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LATimes article
25 Famous Women On Being Alone
Huffington Post - 5 months
(Photo: Getty Images) By Julie Ma Depending on who you are, the very thought of spending time alone will send your heart racing with delight or despair. For extroverts, alone time can be an almost-withering experience. For introverts, it can be a crucial sanctuary and a chance to recharge. While the days of openly calling single women "old maids," "spinsters," or "cat ladies" are nearing extinction, the social stigma surrounding ladies who are uncoupled by choice or by chance still runs deep. Below, 25 accomplished women -- including Shonda Rhimes and Diane Keaton -- discuss what being alone and living as single, independent women means to them. Related: Does Living Alone Drive You Mad? Shonda Rhimes "I don't know if anyone has noticed, but I only ever write about one thing: being alone. The fear of being alone, the desire to not be alone, the attempts we make to find our person, to keep our person, to convince our person to not leave us alone, the joy of being with ...
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Huffington Post article
25 Famous Women on Body Image
Huffington Post - 6 months
(Photo: Getty Images, BFA) By Julie Ma It's never been easy for women to deal with ever-mutating standards of female beauty. But in the golden age of social media, where anonymous troll armies roam the internet, body-shaming people on whim, dealing with these standards has reached a whole new level of crazy -- and nobody understands the pressures more than those who live in the public eye. Everyone from Olympic athletes to first daughters has been put through the wringer. In March, President Obama even commented on the issue, telling Time, "I mean when you're a dad of two daughters you notice more ... the enormous pressure that young women are placed under in terms of looking a certain way. And being cute in a certain way. And are you wearing the right clothes? And is your hair done the right way ... it's part and parcel of a broader way in which we socialize and press women to constantly doubt themselves or define themselves in terms of a certain appearance." Related: 30 ...
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By George! The Father of the Bride House Is for Sale
Yahoo News - 9 months
Calling all Father of the Bride fans! The iconic white house featured in the Father of the Bride films is up for sale. The 1925 Colonial home was used for exterior shots in the 1991 film – starring Steve Martin as doting but penny-pinching dad George Banks, with Diane Keaton as his flustered wife Nina – as well as the 1995 sequel. And if you've been saving your money by getting "the cheaper chicken" all these years, it could be yours for just under $2 million. The Los Angeles home at 500 N. Almansor St. ...
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Yahoo News article
From silver screen to tablet: The best movies on HBO Go and HBO Now
Yahoo News - about 1 year
This list is continually updated to reflect recent availability and to showcase films currently streaming on HBO’s premium services, HBO Go and HBO Now. True to its name, HBO has always aimed to bring the box office into people’s homes. That is easier than ever thanks to their streaming services HBO Go and HBO Now. There are many movies on HBO’s platform, however, not all of them necessarily qualify as “great.” If you feel like streaming a movie and don’t want to waste your time on dreck, check out our list of the very best HBO has to offer. Related: Here’s what’s coming to HBO in February and what’s going away Choose a genre: Comedy Drama Action/Sci-fi Next Page: Comedy… Choose a genre: Comedy Drama Action/Sci-fi Comedy Beetlejuice Please enable Javascript to watch this video Tim Burton’s best films often center around a clever premise. In Beetlejuice , married ghosts Adam (Alec Baldwin) and Barbara Maitland (Geena Davis), having died in a car accident, are distressed to find that the ...
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Yahoo News article
10 unknown actors who could be household names by the end of 2016
Chicago Times - about 1 year
Tuesday, Vanity Fair came out with its annual Hollywood issue and it was really ... safe. The 13 actresses included more perennial awards favorites than of-the-moment up-and-comers. Diane Keaton landed on the cover, even though her only recent contribution was the bomb "Love the Coopers," and the...
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Chicago Times article
Vanity Fair's 2016 Hollywood Issue Cover Focuses On Female Diversity
Huffington Post - about 1 year
Vanity Fair's 2016 Hollywood issue is here!  The magazine unveiled the cover today via Snapchat, with an interactive story on their Discover page. The cover, shot by Annie Leibovitz, features 13 of the industry's top stars, all of whom are female. In the midst of the the conversation regarding Hollywood's glaring diversity problem, Vanity Fair seems to have made an effort to be inclusive with this cover. (Smart move, considering the debacle over their all-male late-night comedy story.) Three women of color -- Viola Davis (who appears on the front cover, not the foldout), Lupita Nyong'o and Gugu Mbatha-Raw -- are featured, along with four women over the age of 60 -- Jane Fonda, Charlotte Rampling, Helen Mirren and Diane Keaton.  Also appearing on the cover are Hollywood heavyweights Cate Blanchett and Jennifer Lawrence, who share the front cover with Davis and Fonda, along with Rachel Weisz, Brie Larson, Alicia Vikander and Saoirse Ronan, who round out the extra-long photo. ...
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Huffington Post article
The Amazing Relationship Between Your Mind and Body
The Huffington Post - about 1 year
In Woody Allen's movie, Annie Hall, Diane Keaton is breaking up with Woody and wants to know why he isn't angry. "I don't get angry," Allen replies, "I grow a tumor instead." We tend to think of our bodies and minds as separate systems and believe they function independently. Yet can you remember the last time went on a first date with someone you were really trying to impress or had an interview for a job? In either case, no doubt you wanted to appear calm and collected but at the same time you were feeling self-conscious and nervous. Can you recall how your body felt? Self-consciousness will tighten your buttock muscles (so you are literally sitting on your tension), you will sweat more than usual, may feel slightly nauseous, and you will probably fluff your words, just when you want to appear suave and confident. More...
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The Huffington Post article
Susan Sarandon On Why She's 'Looking Forward To Being Older'
Huffington Post - about 1 year
Susan Sarandon says she was told her career would die out about three decades ago. But today -- at 69 -- she's got plenty of work lined up as well as a new role as a brand ambassador for skincare giant L'Oreal.  "I was told my career would be all over at 40," Sarandon told Vogue. "So I have been very lucky to have worked all these years."   Today, Sarandon joins other post-50 beauties, including Diane Keaton and Andie MacDowell, as a L'Oreal spokesmodel. The actress, who turns 70 later this year, said she was "surprised" and "flattered" to be asked to join L'Oreal's campaign. Though the company offers a number of anti-aging products, Sarandon says she's welcoming aging with open arms.  "I look forward to being older," she said in a statement. "When what you look like becomes less and less an issue, and what you are is the point." Recently, RYOT and The Huffington Post teamed up to present "The Crossing," an immersive reporting series hosted by Sarandon chronicling ...
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Huffington Post article
Timeline
Learn about memorable moments in the evolution of Diane Keaton
    LATE_ADULTHOOD
  • 2016
    Age 70
    Her other project of 2016 will be the HBO eight-part series The Young Pope opposite Jude Law, in which she will play a nun.
    More Details Hide Details In addition, Keaton is set to appear in Joel Hopkins's Hampstead, a British romance film also starring Brendan Gleeson, and in the Netflix comedy Divanation for which she will reunite with her First Wives Club co-stars Midler and Hawn to portray a singing group that reconnects after a volatile split 30 years prior. Keaton has had several romantic associations with noted entertainment industry personalities, starting with her time with the Broadway production of Play It Again, Sam when she auditioned for director Woody Allen. Their association became personal following a dinner after a late-night rehearsal. It was her sense of humor that attracted Allen. They briefly lived together during the Broadway production, but by the time of the film release of the same name in 1972, their living arrangements became informal. They worked together on eight films between 1971 and 1993, and Keaton has said that Allen remains one of her closest friends.
  • 2015
    Age 69
    Keaton's only film of 2015 was Love the Coopers, an ensemble comedy about a troubled family getting together for Christmas, for which she reunited with Because I Said So writer Jessie Nelson.
    More Details Hide Details Also starring John Goodman, Ed Helms, and Marisa Tomei, Keaton was attached for several years before the film went into production. Her cast was instrumental in financing and recruiting most other actors, which led her to an executive producer credit in the film. Upon its release, Love the Coopers received largely negative reviews from critics, who called it a "bittersweet blend of holiday cheer," and became a moderate commercial success at a worldwide total of $41.1 million against a budget of $17 million. Keaton voiced Dory's mother in Disney•Pixar's Finding Dory (2016), the sequel to the 2003 Pixar computer-animated film Finding Nemo.
  • 2014
    Age 68
    In 2014, Keaton starred in And So It Goes and 5 Flights Up.
    More Details Hide Details In Rob Reiner's romantic dramedy And So It Goes, Keaton portrayed a widowed lounge singer, who finds autumnal love with a bad boy, played by Michael Douglas. The film received largely negative reviews from critics, who felt that "And So It Goes aims for comedy, but with two talented actors stuck in a half-hearted effort from a once-mighty filmmaker, it ends in unintentional tragedy." Keaton co-starred with Morgan Freeman in Richard Loncraine's comedy film 5 Flights Up. Based on the novel Heroic Measures by Jill Ciment, they play a long-married couple who have an eventful weekend after they are forced to contemplate selling their beloved Brooklyn apartment. Shot in New York, the film premiered, under its former name Ruth & Alex, at the 2014 Toronto International Film Festival. The same year, Keaton became the first woman to receive the Golden Lion Award from the Zurich Film Festival.
  • 2013
    Age 67
    Her performance was nominated for a 2013 Audie Award in the Short Stories/Collections category.
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  • 2012
    Age 66
    In 2012, Keaton's audiobook recording of Joan Didion's Slouching Towards Bethlehem was released at Audible.com.
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  • 2011
    Age 65
    Keaton wrote her first memoir, entitled Then Again, for Random House in November 2011.
    More Details Hide Details Much of the autobiography relies on her mother Dorothy's private journals, in which she writes at one point: "Diane is a mystery At times, she's so basic, at others so wise it frightens me."
    Also in 2011, Keaton began production on Justin Zackham's 2013 ensemble comedy The Big Wedding, in which she, along with Robert De Niro, played a long-divorced couple who, for the sake of their adopted son's wedding and his very religious biological mother, pretend they are still married.
    More Details Hide Details Upon release, the remake of the original 2006 French film Mon frère se marie received largely negative reviews. In his review for The New York Post, Lou Lumenick stated that "the brutally unfunny, cringe-worthy The Big Wedding provides ample opportunities for Robert De Niro, Diane Keaton, Susan Sarandon and Robin Williams to embarrass themselves."
  • 2010
    Age 64
    In fall 2010, Keaton joined the production of the comedy drama Darling Companion by Lawrence Kasdan, which was released in 2012.
    More Details Hide Details Co-starring Kevin Kline and Dianne Wiest and set in Telluride, Colorado, the film follows a woman, played by Keaton, whose husband loses her much-beloved dog at a wedding held at their vacation home in the Rocky Mountains, resulting in a search party to find the pet. Kasdan's first film in nine years, the film bombed at the US box office, where it scored about US$790,000 throughout its entire theatrical run. Generally negative with the film, critics dismissed the film as "an overwritten, underplotted vanity project," but applauded Keaton's performance. Ty Burr from The Boston Globe felt that the film "would be instantly forgettable if not for Keaton, who imbues role with a sorrow, warmth, wisdom, and rage that feel earned Her performance here is an extension of worn, resilient grace."
    In 2010, Keaton starred alongside Rachel McAdams and Harrison Ford in Roger Michell's comedy Morning Glory, playing the veteran TV host of a fictional morning talk show that desperately needs to boost its lagging ratings. Portraying a narcissistic character that would do anything to please the audience, Keaton described her role as "the kind of woman you love to hate." Inspired by Neil Simon's 1972 Broadway play The Sunshine Boys, the film became a moderate success at the box office for a worldwide total of almost US$59 million.
    More Details Hide Details Though some critics found that Keaton was underused in the film, the actress was generally praised for her performance, with James Berardinelli of ReelViews noting that "Diane Keaton is so good at her part that one can see her sliding effortlessly into an anchor's chair on a real morning show."
  • 2008
    Age 62
    As with Keaton's previous projects, the film bombed at the box offices with a gross total of US$26.4 million, and was universally panned by critics, ranking third in the New York Post Top 10 Worst Movies of 2008 overview.
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    Also in 2008, Keaton appeared alongside Katie Holmes and Queen Latifah in the crime-comedy film Mad Money, directed by Callie Khouri.
    More Details Hide Details Based on the British television drama Hot Money (2001), the film revolves around three female employees of the Federal Reserve who scheme to steal money that is about to be destroyed.
    In 2008, Keaton starred alongside Dax Shepard and Liv Tyler in Vince Di Meglio's dramedy Smother, playing the overbearing mother of an unemployed therapist, who decides to move in with him and his girlfriend following the split from her husband, played by Ken Howard.
    More Details Hide Details As with Mama's Boy, the film received a limited release only, resulting in a gross of US$1.8 million worldwide. Critical reaction to the film was generally unfavorable, and once again Keaton was dismissed for her role choices, with Sandra Hall of the New York Post writing, "Diane's career is dyin' this time, sadly, she's gone too far. She's turned herself into a mother-in-law joke."
  • 2007
    Age 61
    In 2007, Keaton starred in both Because I Said So and Mama's Boy.
    More Details Hide Details In the romantic comedy Because I Said So, directed by Michael Lehmann, Keaton played a long-divorced mother of three daughters, determined to pair off her only single daughter, Milly, played by Mandy Moore. Also starring Stephen Collins and Gabriel Macht, the project opened to overwhelmingly negative reviews by critics, with Wesley Morris of The Boston Globe calling it "a sloppily made bowl of reheated chick-flick cliches," and was ranked among the worst-reviewed films of the year. The following year, Keaton received her first and only Golden Raspberry Award nomination to date, for the film. In Mama's Boy, director Tim Hamilton's feature film debut, Keaton starred as the mother of a self-absorbed 29-year-old (played by Jon Heder) whose world turns upside down when his widowed mother starts dating and considers booting him out of the house. Distributed for a limited release to certain parts of the United States only, the independent comedy garnered largely negative reviews.
  • FIFTIES
  • 2004
    Age 58
    Keaton's only film between the years of 2004 and 2006 was the comedy The Family Stone (2005), starring an ensemble cast that also included Sarah Jessica Parker, Claire Danes, Rachel McAdams, and Craig T. Nelson.
    More Details Hide Details In the film, scripted and directed by Thomas Bezucha, Keaton played a breast cancer survivor and matriarch of a big New England family, who reunite at the parents' home for their annual Christmas holidays. The film was released to moderate critical and commercial success, and earned US$92.2 million worldwide. Keaton received her second Satellite Award nomination for her portrayal, on which Peter Travers of Rolling Stone commented, "Keaton, a sorceress at blending humor and heartbreak, honors the film with a grace that makes it stick in the memory."
  • 2001
    Age 55
    In July 2001, Keaton revealed her thoughts on being older and unmarried: "I don't think that because I'm not married it's made my life any less.
    More Details Hide Details That old maid myth is garbage." Keaton has two adopted children, daughter Dexter (adopted 1996) and son Duke (2001). Her father's death made mortality more apparent to her, and she decided to become a mother at age 55. She later said of having children, "Motherhood has completely changed me. It's just about the most completely humbling experience that I've ever had." Keaton stated that she produced her 1987 documentary Heaven because, "I was always pretty religious as a kid... I was primarily interested in religion because I wanted to go to heaven." Nevertheless, she has also stated that she considered herself an agnostic. Keaton is an opponent of plastic surgery. She told More magazine in 2004, "I'm stuck in this idea that I need to be authentic... My face needs to look the way I feel." Keaton is also active in campaigns with the Los Angeles Conservancy to save and restore historic buildings, particularly in the Los Angeles area. Among the buildings she has been active in restoring is the Ennis House in the Hollywood Hills designed by Frank Lloyd Wright. Keaton had also been active in the failed campaign to save the Ambassador Hotel in Los Angeles (a hotel featured in Reservations), the location of Robert Kennedy's assassination in 1968.
    Also in 2001, and 2002, Keaton starred in four low-budget television films.
    More Details Hide Details She played a fanatical nun in the religious drama Sister Mary Explains It All, an impoverished mother in the drama On Thin Ice, and a bookkeeper in the mob comedy Plan B. In Crossed Over, she played Beverly Lowry, a woman who forms an unusual friendship with the only woman executed while on death row in Texas, Karla Faye Tucker. Keaton's first major hit since 1996 came in 2003's Something's Gotta Give, directed by Nancy Meyers and co-starring Jack Nicholson. Nicholson and Keaton, aged 66 and 57 respectively, were seen as bold casting choices for leads in a romantic comedy. Twentieth Century Fox, the film's original studio, reportedly declined to produce the film, fearing that the lead characters were too old to be bankable. Keaton commented about the situation in Ladies' Home Journal: "Let's face it, people my age and Jack's age are much deeper, much more soulful, because they've seen a lot of life. They have a great deal of passion and hope—why shouldn't they fall in love? Why shouldn't movies show that?" Keaton played a middle-aged playwright who falls in love with her daughter's much older boyfriend. The film was a major success at the box office, grossing US$125 million in North America. Roger Ebert wrote that "Nicholson and Keaton bring so much experience, knowledge and humor to their characters that the film works in ways the screenplay might not have even hoped for."
    In 2001, Keaton co-starred with Warren Beatty in Town & Country, a critical and financial fiasco.
    More Details Hide Details Budgeted at an estimated US$90 million, the film opened to little notice and grossed only US$7 million in its North American theatrical run. Peter Travers of Rolling Stone wrote that Town & Country was "less deserving of a review than it is an obituary.The corpse took with it the reputations of its starry cast, including Warren Beatty and Diane Keaton."
  • 2000
    Age 54
    Keaton's first film of 2000 was Hanging Up with Meg Ryan and Lisa Kudrow.
    More Details Hide Details Keaton also directed the film, despite claiming in a 1996 interview that she would never direct herself in a film, saying "as a director, you automatically have different goals. I can't think about directing when I'm acting." The film was a drama about three sisters coping with the senility and eventual death of their elderly father, played by Walter Matthau. Hanging Up rated poorly with critics and grossed a modest US$36 million at the North American box office.
  • 1999
    Age 53
    In 1999 Keaton narrated the one-hour public-radio documentary "If I Get Out Alive," the first to focus on the conditions and brutality faced by young people in the adult correctional system.
    More Details Hide Details The program, produced by Lichtenstein Creative Media, aired on public radio stations across the country, and was honored with a First Place National Headliner Award and a Casey Medal for Meritorious Journalism.
  • 1996
    Age 50
    Also in 1996, Keaton starred as Bessie, a woman with leukemia, in Marvin's Room, an adaptation of the play by Scott McPherson.
    More Details Hide Details Meryl Streep played her estranged sister Lee, and had also initially been considered for the role of Bessie. The film also starred a young Leonardo DiCaprio as Lee's rebellious son. Roger Ebert stated that "Streep and Keaton, in their different styles, find ways to make Lee and Bessie into much more than the expression of their problems." Keaton earned a third Academy Award nomination for the film, which was critically acclaimed. Keaton said that the biggest challenge of the role was understanding the mentality of a person with terminal illness.
    Keaton's most successful film of the decade was the 1996 comedy The First Wives Club.
    More Details Hide Details She starred with Goldie Hawn and Bette Midler as a trio of "first wives": middle-aged women who had been divorced by their husbands in favor of younger women. Keaton claimed that making the film "saved her life." The film was a major success, grossing US$105 million at the North American box office, and it developed a cult following among middle-aged women. Reviews of the film were generally positive for Keaton and her co-stars, and she was even referred to by The San Francisco Chronicle as "probably of the best comic film actresses alive." In 1997, Keaton, along Hawn and Midler, was a recipient of the Women in Film Crystal Award, which honors "outstanding women who, through their endurance and the excellence of their work, have helped to expand the role of women within the entertainment industry."
  • FORTIES
  • 1995
    Age 49
    In 1995, Keaton directed Unstrung Heroes, her first theatrically released narrative film.
    More Details Hide Details The movie, adapted from Franz Lidz's memoir, starred Nathan Watt as a boy in 1960s whose mother (Andie MacDowell) becomes ill with cancer. As her sickness advances and his inventor father (John Turturro) grows increasingly distant, the boy is sent to live with his two eccentric uncles (Maury Chaykin and Michael Richards). In a geographic switch, Keaton shifted the story's setting from the New York of Lidz's book to the Southern California of her own childhood. And the four mad uncles were reduced to a whimsical odd couple. In an essay for the New York Times, Lidz said that the cinematic Selma had died not of cancer, but of 'Old Movie Disease'. "Someday somebody may find a cure for cancer, but the terminal sappiness of cancer movies is probably beyond remedy." Though it played in a relatively limited release and made little impression at the box office, the film and its direction were generally well-received critically.
  • 1993
    Age 47
    In 1993, Keaton starred in Manhattan Murder Mystery, her first major film role in a Woody Allen film since 1979, having made a cameo in 1987's Radio Days.
    More Details Hide Details Her part was originally intended for Mia Farrow, but Farrow dropped out of the project after her split with Allen.
  • 1990
    Age 44
    Keaton reprised her role of Kay Adams in 1990's The Godfather Part III.
    More Details Hide Details Set 20 years after the end of The Godfather, Part II, Keaton's part had evolved into the estranged ex-wife of Michael Corleone. Criticism of the film and Keaton again centered on her character's unimportance in the film. The Washington Post wrote: "Even though she is authoritative in the role, Keaton suffers tremendously from having no real function except to nag Michael for his past sins."
  • 1987
    Age 41
    In 1987, Keaton directed and edited her first feature film, a documentary named Heaven about the possibility of an afterlife.
    More Details Hide Details Heaven met with mixed critical reaction, with The New York Times likening it to "a conceit imposed on its subjects." Over the next four years, Keaton went on to direct music videos for artists such as Belinda Carlisle, two television films starring Patricia Arquette, and episodes of the series China Beach and Twin Peaks. By the 1990s, Keaton had established herself as one of the most popular and versatile actors in Hollywood. She shifted to more mature roles, frequently playing matriarchs of middle-class families. Of her role choices and avoidance of becoming typecast, she said: "Most often a particular role does you some good and Bang! You have loads of offers, all of them for similar roles... I have tried to break away from the usual roles and have tried my hand at several things." She began the decade with The Lemon Sisters, a poorly received comedy/drama that she starred in and produced, which was shelved for a year after its completion. In 1991, Keaton starred with Steve Martin in the family comedy Father of the Bride. She was almost not cast in the film, as the commercial failure of The Good Mother had strained her relationship with Walt Disney Pictures, the studio of both films. Father of the Bride was Keaton's first major hit after four years of commercial disappointments.
    In 1987, she starred in Baby Boom, her first of four collaborations with writer-producer Nancy Meyers.
    More Details Hide Details In Baby Boom, Keaton starred as a Manhattan career woman who is suddenly forced to care for a toddler. That same year she made a cameo in Allen's film Radio Days as a nightclub singer. 1988's The Good Mother was a misstep for Keaton. The film was a financial disappointment (according to Keaton, the film was "a Big Failure. Like, BIG failure"), and some critics panned her performance, such as one review from The Washington Post: "her acting degenerates into hype – as if she's trying to sell an idea she can't fully believe in."
  • THIRTIES
  • 1984
    Age 38
    1984 brought The Little Drummer Girl, Keaton's first excursion into the thriller and action genre.
    More Details Hide Details The Little Drummer Girl was both a financial and critical failure, with critics claiming that Keaton was miscast for the genre, such as one review from The New Republic claiming that "the title role, the pivotal role, is played by Diane Keaton, and around her the picture collapses in tatters. She is so feeble, so inappropriate." However, that same year she received positive reviews for her performance in Mrs. Soffel, a film based on the true story of a repressed prison warden's wife who falls in love with a convicted murderer and arranges for his escape. Two years later she starred with Jessica Lange and Sissy Spacek in Crimes of the Heart, adapted from Beth Henley's Pulitzer Prize-winning play into a moderately successful screen comedy.
  • 1979
    Age 33
    She was already dating Warren Beatty from 1979 when they had co-lead roles in the film Reds.
    More Details Hide Details Beatty was a regular subject in tabloid magazines and media coverage in which she was included much to her bewilderment. Her avoidance of the spotlight earned her in 1985 from Vanity Fair the attribution as "the most reclusive star since Garbo." This relationship ended shortly after Reds wrapped. Troubles with the production are thought to have caused strain on the relationship, including numerous financial and scheduling problems. Keaton remains friends with Beatty. Keaton also had a relationship with her The Godfather Trilogy costar Al Pacino. Their on-again, off-again relationship ended following the filming of The Godfather Part III. Keaton said of Pacino, "Al was simply the most entertaining man... To me, that's, that is the most beautiful face. I think Warren was gorgeous, very pretty, but Al's face is like whoa. Killer, killer face."
    In Manhattan in 1979, Keaton and Woody Allen ended their long working relationship, and the film would be their last major collaboration until 1993.
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  • 1978
    Age 32
    In 1978, she became romantically involved with Warren Beatty, and two years later he cast her to play opposite him in Reds.
    More Details Hide Details In the film, she played Louise Bryant, a journalist and feminist, who flees from her husband to work with radical journalist John Reed (Beatty), and later enters Russia to locate him as he chronicles the Russian Civil War. The New York Times wrote that Keaton was, "nothing less than splendid as Louise Bryant – beautiful, selfish, funny and driven. It's the best work she has done to date." Keaton received her second Academy Award nomination for the film.
  • 1977
    Age 31
    Beatty cast Keaton after seeing her in Annie Hall, as he wanted to bring her natural nervousness and insecure attitude to the role. The production of Reds was delayed several times following its conception in 1977, and Keaton almost left the project when she believed it would never be produced.
    More Details Hide Details Filming finally began two years later. In a 2006 Vanity Fair story, Keaton described her role as "the everyman of that piece, as someone who wanted to be extraordinary but was probably more ordinary... I knew what it felt like to be extremely insecure." Assistant director Simon Relph later stated that Louise Bryant was one of Keaton's most difficult roles, and that "she almost got broken."
    In 1977, she began recording tracks for a solo album, but the finished record never materialized.
    More Details Hide Details Keaton met with more success in the medium of still photography. Like her character in Annie Hall, Keaton had long relished photography as a favorite hobby, an interest she picked up as a teenager from her mother. While traveling in the late 1970s, she began exploring her avocation more seriously. "Rolling Stone had asked me to take photographs for them, and I thought, 'Wait a minute, what I'm really interested in is these lobbies, and these strange ballrooms in these old hotels.' So I began shooting them", she recalled in 2003. "These places were deserted, and I could just sneak in anytime and nobody cared. It was so easy and I could do it myself. It was an adventure for me." Reservations, her collection of photos of hotel interiors, was published in book form in 1980.
    Her photo by Douglas Kirkland appeared on the cover of the September 26, 1977, issue of Time magazine, with the story dubbing her "the funniest woman now working in films."
    More Details Hide Details Later that year, she departed from her usual lighthearted comic roles when she won the highly coveted lead role in the drama Looking for Mr. Goodbar, based on the novel by Judith Rossner. In the film, she played a Catholic schoolteacher for deaf children, who lives a double life, spending nights frequenting singles bars and engaging in promiscuous sex. Keaton became interested in the role after seeing it as a "psychological case history." The same issue of Time commended her role choice and criticized the restricted roles available for female actors in American films: A male actor can fly a plane, fight a war, shoot a badman, pull off a sting, impersonate a big cheese in business or politics. Men are presumed to be interesting. A female can play a wife, play a whore, get pregnant, lose her baby, and, um, let's see... Women are presumed to be dull.... Now a determined trend spotter can point to a handful of new films whose makers think that women can bear the dramatic weight of a production alone, or virtually so. Then there is Diane Keaton in Looking for Mr. Goodbar. As Theresa Dunn, Keaton dominates this raunchy, risky, violent dramatization of Judith Rossner's 1975 novel about a schoolteacher who cruises singles bars.
    In 1977, Keaton starred with Allen in the romantic comedy Annie Hall, one of her most famous roles.
    More Details Hide Details Annie Hall was written and directed by Allen and the film was believed to be autobiographical of his relationship with Keaton. Allen based the character of Annie Hall loosely on Keaton ("Annie" is a nickname of hers, and "Hall" is her original surname). Many of Keaton's mannerisms and her self-deprecating sense of humor were added into the role by Allen. (Director Nancy Meyers has claimed "Diane's the most self-deprecating person alive.") Keaton has also said that Allen wrote the character as an "idealized version" of herself. The two starred as a frequently on-again, off-again couple living in New York City. Her acting was later summed up by CNN as "awkward, self-deprecating, speaking in endearing little whirlwinds of semi-logic", and by Allen as a "nervous breakdown in slow motion." The film was both a major financial and critical success, and won the Academy Award for Best Picture. Keaton's performance also won the Academy Award for Best Actress. In 2006, Premiere magazine ranked Keaton in Annie Hall as 60th on its list of the "100 Greatest Performances of All Time," and noted:
  • TWENTIES
  • 1972
    Age 26
    The Godfather was an unparalleled critical and financial success, becoming the highest-grossing film of the year and winning the Best Picture Oscar of 1972.
    More Details Hide Details Two years later she reprised her role as Kay Adams in The Godfather Part II. She was initially reluctant, stating that, "At first, I was skeptical about playing Kay again in the Godfather sequel. But when I read the script, the character seemed much more substantial than in the first movie." In Part II, her character changed dramatically, becoming more embittered about her husband's activities. Even though Keaton received widespread exposure from the films, her character's importance was minimal. Time wrote that she was "invisible in The Godfather and pallid in The Godfather, Part II." Keaton's other notable films of the 1970s included many collaborations with Woody Allen. Although by the time they made films together, their romantic involvement had ended, she played many eccentric characters in several of his comic and dramatic films, including Sleeper, Love and Death, Interiors, Manhattan, and the film version of Play It Again, Sam, directed by Herbert Ross. Allen has credited Keaton as his muse during his early film career.
    Keaton's breakthrough role came two years later when she was cast as Kay Adams, the girlfriend and eventual wife of Michael Corleone (played by Al Pacino) in Francis Ford Coppola's 1972 film The Godfather.
    More Details Hide Details Coppola noted that he first noticed Keaton in Lovers and Other Strangers, and cast her because of her reputation for eccentricity that he wanted her to bring to the role (Keaton claims that at the time she was commonly referred to as "the kooky actress" of the film industry). Her performance in the film was loosely based on her real life experience of making the film, both of which she has described as being "the woman in a world of men."
  • 1970
    Age 24
    She began her career on stage and made her screen debut in 1970.
    More Details Hide Details Her first major film role was as Kay Adams-Corleone in The Godfather (1972), but the films that shaped her early career were those with director and co-star Woody Allen, beginning with Play It Again, Sam in 1972. Her next two films with Allen, Sleeper (1973) and Love and Death (1975), established her as a comic actor. Her fourth, Annie Hall (1977), won her the Academy Award for Best Actress. Keaton subsequently expanded her range to avoid becoming typecast as her Annie Hall persona. She became an accomplished dramatic performer, starring in Looking for Mr. Goodbar (1977) and received Academy Award nominations for Reds (1981), Marvin's Room (1996) and Something's Gotta Give (2003). Some of her popular later films include Baby Boom (1987), Father of the Bride (1991), The First Wives Club (1996), and The Family Stone (2005). Keaton's films have earned a cumulative gross of over US$1.1 billion in North America. In addition to acting, she is also a photographer, real estate developer, author, and occasional singer.
  • 1968
    Age 22
    In 1968, Keaton became a member of the "Tribe" and understudy to Sheila in the original Broadway production of Hair.
    More Details Hide Details She gained some notoriety for her refusal to disrobe at the end of Act I when the cast performs nude, even though nudity in the production was optional for actors (Those who performed nude received a $50 bonus). After acting in Hair for nine months, she auditioned for a part in Woody Allen's production of Play It Again, Sam. After nearly being passed over for being too tall (at 5 ft 8 in./1.73 m she is two inches/5 cm taller than Allen), she won the part. After being nominated for a Tony Award for Play It Again, Sam, Keaton made her film debut in Lovers and Other Strangers (1970). She followed with guest roles on the television series Love, American Style and Night Gallery, and Mannix. Between films, Keaton appeared in a series of deodorant commercials.
  • TEENAGE
  • 1963
    Age 17
    Keaton is a 1963 graduate of Santa Ana High School in Santa Ana, California.
    More Details Hide Details During her time there, she participated in singing and acting clubs at school, and starred as Blanche DuBois in a school production of A Streetcar Named Desire. After graduation, she attended Santa Ana College, and later Orange Coast College as an acting student, but dropped out after a year to pursue an entertainment career in Manhattan. Upon joining the Actors' Equity Association, she changed her surname to Keaton, her mother's maiden name, as there was already an actress registered under the name of Diane Hall. For a brief time, she also moonlighted at nightclubs with a singing act. She would later revisit her nightclub act in Annie Hall (1977) and And So It Goes (2014), and a cameo in Radio Days (1987). Keaton began studying acting at the Neighborhood Playhouse in New York City. She initially studied acting under the Meisner technique, an ensemble acting technique first evolved in the 1930s by Sanford Meisner, a New York stage actor/acting coach/director who had been a member of The Group Theater (1931–1940). She has described her acting technique as, "being only as good as the person you're acting with... As opposed to going it on my own and forging my path to create a wonderful performance without the help of anyone. I always need the help of everyone!" According to Jack Nicholson, "She approaches a script sort of like a play in that she has the entire script memorized before you start doing the movie, which I don't know any other actors doing that."
  • CHILDHOOD
  • 1946
    Age 0
    Diane Keaton was born as Diane Hall on January 5, 1946, in Los Angeles, California.
    More Details Hide Details Her mother, Dorothy Deanne (née Keaton; 1921–2008), was a homemaker and amateur photographer; her father, John Newton Ignatius "Jack" Hall (1922–1990), was a real estate broker and civil engineer. Keaton was raised a Free Methodist by her mother. Her mother won the "Mrs. Los Angeles" pageant for homemakers; Keaton has said that the theatricality of the event inspired her first impulse to be an actress, and led to her wanting to work on stage. She has also credited Katharine Hepburn, whom she admires for playing strong and independent women, as one of her inspirations.
Original Authors of this text are noted here.
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