Elmo Tanner
American whistler most famous for his time with the Ted Weems orchestra
Elmo Tanner
William Elmo Tanner, known as Elmo Tanner was an American singer, whistler, bandleader and disc jockey, best known for his whistling on the chart-topping song “Heartaches” with the Ted Weems orchestra. He earned the nicknames ““Whistler’s Mother’s “Boy””, “The Whistling Troubador,” and “the nation’s best-known whistler. ” Tanner, like Bing Crosby, was able to whistle from his throat due to the muscles in his larynx.
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Elmo Tanner's personal information overview.
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    LATE_ADULTHOOD
  • 1990
    Age 85
    He died on December 20, 1990 in St. Petersburg, Florida.
    More Details Hide Details Tanner is buried in Mount Olivet Cemetery, Nashville, Tennessee. He was posthumously inducted into the Whistlers' Hall of Fame in 1991, joining previous inductees Bing Crosby and Fred Lowery.
  • 1985
    Age 80
    Tanner underwent gall bladder surgery in 1985 and was able to recover at his home in St. Petersburg.
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  • 1969
    Age 64
    By 1969 he was retired.
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  • FIFTIES
  • 1959
    Age 54
    In 1959, Tanner began working as a disc jockey on radio station WILZ in St. Pete Beach, Florida, a position which lasted several years.
    More Details Hide Details During this time he continued to make recordings with orchestras such as David Carroll and Billy Vaughn to continued positive reviews. His association continued with Weems, making the occasional guest appearance with the band he was closely connected to. In the early 1960s, Tanner was also selling Datsuns at a local St. Petersburg auto dealership. In the early 1970s he resumed musical activity, singing with a St. Petersburg-based quartet.
  • 1958
    Age 53
    He formed the Elmo Tanner Quartet and resumed touring for the next few years, until, tired of travel, he broke up his group in Seattle in 1958.
    More Details Hide Details He spent the next fourteen months in Birmingham as a disk jockey and leading a musical combo. He reunited briefly with Weems, then settled in the St. Petersburg, Florida area in Treasure Island.
  • FORTIES
  • 1950
    Age 45
    Tanner left Weems in 1950 to open a restaurant in Nashville.
    More Details Hide Details This occupied him for a year and a half, but it proved to be a failure and Tanner suffered financially.
  • 1947
    Age 42
    Because of the renewed success of “Heartaches”, Tanner joined the re-formed Weems outfit in March 1947, and both were signed to Mercury Records.
    More Details Hide Details This later outfit often received poor reviews, with the exception of Elmo’s “outstanding” whistling; it was Tanner’s whistling that audiences most responded to. Tanner made one more recording of "Heartaches" in 1953 with Billy Vaughn for Dot Records.
    In 1947, a young disk jockey in Charlotte, North Carolina who worked the overnight shift had recently received some older records which he brought to work with him.
    More Details Hide Details He chose one at random and put it on the turntable. Shortly after the record had finished, the radio station's telephones began ringing with people asking about the song and requesting to hear it again. By afternoon, the city's music stores were calling the radio station, hoping to learn where they could order copies of "Heartaches". Both Victor and Decca went into their vaults to find their masters of the record and began pressing them for southern United States sales. As disk jockeys in other parts of the US began obtaining copies of the record and playing it, the demand for "Heartaches" went from coast to coast. This older recording went to the top of all the main charts in 1947, including sales, juke box play, and airplay. Unusually, two separate recordings were given equal credit in the charts. Victor’s version was recorded on August 4, 1933 and issued on Bluebird B5131. Decca’s recording was made on August 23, 1938 and originally appeared on catalog number 2020B. The hit records were credited to RCA Victor 20-2175 and Decca 25017, respectively. Altogether the recordings were credited with selling 8.5 million copies. Tanner said in a 1960 interview that neither he nor Ted Weems received any compensation for the "Heartaches" re-issue as they both had let the contracts on the song expire while they were in the Merchant Marine. Tanner and Weems missed collecting an estimated $250,000 in royalties because of the expired contracts.
  • 1946
    Age 41
    Tanner announced he would be fronting a twelve-piece band in September 1946; the band's theme was "Heartaches".
    More Details Hide Details He took over the Andy Anderson unit that was based in Atlanta and signed on with the William Morris Agency. His orchestra featured his whistling and vocals by Carol Bridges. However, this proved to be short-lived because of the surprise success of an old recording. “Heartaches”, composed by Al Hoffman and John Klenner in 1931, was recorded as an unusual half-rumba, half washboard rhythm. In 1933, Victor had assigned the recording of the song to Ted Weems and his Orchestra, and wanted it recorded quickly. Weems and his band had time for only one rehearsal before recording the song. Initially, Weems did not like the song; he decided to omit the lyrics by way of having Tanner whistle instead. While running through the song at rehearsal, someone thought of trying it with a speedier tempo than initially written. It was not a large seller, and the master was filed away. In 1938, Weems was now working with Decca Records and was preparing to make another record. When someone had forgotten to assign a song for the "B" side of the record, Weems and Tanner made another recording of "Heartaches"; the Decca version was not any more successful than the Victor one had been five years earlier.
  • THIRTIES
  • 1944
    Age 39
    At (and intermittently before) his discharge in 1944 he pursued a solo career.
    More Details Hide Details He headlined in various nightclubs and theaters such as Chicago’s Oriental and Colosimo’s and at the Orpheum in Los Angeles alongside the King Sisters and Maurice Rocco. Besides musical whistling, he also imitated birds for Disney. He continued to perform songs that were associated with Weems, such as “Nola”.
  • 1942
    Age 37
    Tanner, Ted Weems, and the rest of his orchestra joined the Merchant Marine in 1942.
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  • 1940
    Age 35
    During this time period Tanner appeared on the popular radio show Beat the Band with Weems; the program ran from January 28, 1940 until February 23, 1941.
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  • 1939
    Age 34
    Tanner married Eleanor Jones of Birmingham on January 31, 1939 in Indianapolis.
    More Details Hide Details While playing an engagement with Weems, Tanner got his marriage license between the first and second acts on the bill, bought a wedding ring between the second and third acts and was married between the third and fourth acts. He met his second wife while working with the Weems band on Catalina Island. They had four children together: Elmo Jr., twins Margaret and Patricia, and John Emmet.
  • 1936
    Age 31
    In 1936, while Tanner was living in Chicago, he was divorced from his first wife, Verne.
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    Tanner began appearing in films as part of the Ted Weems Orchestra in 1936; his first film role was in The Hatfields and McCoys, In 1938 he appeared in the movie Swing, Sister, Swing with the Weems outfit.
    More Details Hide Details Tanner also featured with Ted Weems and his Orchestra in a 1942 musical film short, Swing Frolic.
  • TWENTIES
  • 1929
    Age 24
    Tanner joined the Ted Weems band as a singer in 1929 and became a prominent feature of the group.
    More Details Hide Details Tanner's whistling talent was unveiled by accident. In high spirits on their way to their next performance, the band members were singing, yelling and whistling on the bus. When Tanner joined in, Weems was impressed enough to add a whistling segment to one of the band's sets. Tanner whistled the Show Boat song, "Make Believe"; the audience asked for an encore. Tanner's whistling became so popular that Perry Como, another featured performer in the band, said “The whistler was the whole band.” On occasion, Tanner’s lips would pucker up, interfering with his whistling. Although generally noted for his graciousness as a bandleader, Weems would have fun at Tanner’s expense, running him through the most difficult songs in his repertoire when he noticed Tanner was struggling. Tanner became known as "Whistler’s Mother’s Boy", "The Whistling Troubador," and "the nation’s best-known whistler". Tanner was noted for the ease with which he hit high notes and performed trills. He had the ability to whistle while triple-tonguing, and like Bing Crosby, he was able to whistle from his throat due to the muscles in his larynx. His range was from low G to high B. Professional whistler Joel Brandon has named Tanner as a "top pick". Ted Weems considered Tanner's whistling so important to his band, he insured the musician's throat with Lloyd's of London for $10,000 in 1939. The policy provided payment for any medical expenses related to Tanner's possible inability to whistle and included payment to the holder if Tanner was unable to perform.
  • 1928
    Age 23
    In 1928 he formed a duet with Fred Rose as "The Tune Peddlers" and appeared on radio stations WLS, KYW, and WBBM.
    More Details Hide Details While working at KYW with Rose, Tanner received an offer from Ted Weems. Weems offered a higher salary than Tanner was making at the radio station, but Tanner was hesitant because the job with Weems involved substantial travel. The KYW station manager offered to match the $50 per week salary. A few days later, Weems made a higher offer which was met by the station manager's offer to match it. This continued until only Fred Rose came to work. When he arrived, Rose told the station manager that Weems now offered Tanner $100 a week and he had accepted it.
  • 1927
    Age 22
    He recorded a few dozen sides as a soloist for Paramount and Vocalion in 1927 through 1929.
    More Details Hide Details Interestingly, the Paramount discs appeared in the Race record series, and the Vocalion sides were likewise marketed to African Americans. His versatility was noted by Vocalion, who utilized him to provide vocals for jazz outfits such as Jimmie Noone and for more sedate recordings with the Victor Young orchestra and with organist Eddie House. Not having signed an exclusive contract with any recording company, he was able to appear on the prestigious Victor label with Nathaniel Shilkret.
  • 1926
    Age 21
    He grew up in Detroit, and moved to Memphis with his family by 1926.
    More Details Hide Details As a young boy, Tanner studied the violin and was successful with it until eye trouble made it difficult for him to read notes. His musical training helped Tanner to develop the ability to scan music or lyrics quickly and then either sing or whistle what he had just read. On his walk home from work, Tanner passed a cemetery each night and started whistling as he passed by. Not everyone appreciated Tanner's whistling in the evening; he was once jailed in Albuquerque, New Mexico for whistling after 10pm. A graduate of the University of Tennessee, Tanner raced automobiles and worked as a mechanic in Memphis. While performing the duties of his employment he liked to whistle and sing. One day in 1928, he had a repair job for a customer who happened to work at WMC radio. After hearing Tanner singing while working on his car, the announcer suggested Tanner audition for the radio station. His consequent on-air appearance brought a call from Paramount Records, which had offices in Chicago.
  • CHILDHOOD
  • 1904
    Born
    Tanner was born on August 8, 1904 in Nashville, Tennessee.
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