Humphrey Bogart
Humphrey Bogart
Humphrey DeForest Bogart was an American actor. He is widely regarded as a cultural icon. The American Film Institute ranked Bogart as the greatest male star in the history of American cinema. After trying various jobs, Bogart began acting in 1921 and became a regular in Broadway productions in the 1920s and 1930s. When the stock market crash of 1929 reduced the demand for plays, Bogart turned to film.
Humphrey Bogart's personal information overview.
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Ferry old indeed - BBC News
Google News - over 5 years
It was the model for the warship sunk by The African Queen, a steam-powered launch in the film of the same name, starring Katharine Hepburn as a prim spinster and Humphrey Bogart as the rough captain. And now it's a ferry on Africa's longest lake,
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“The Artist” Sparkles and Danny Huston Surprises at the Montreal Film Festival - Awards Daily
Google News - over 5 years
I got to speak with him and he he told me this hilariouis Oscar anecdote about this father, John Huston and Humphrey Bogart, who were great friends. Evidently Bogart, a New York blue-blood, who was nothing like hardboiled gangster roles that made him
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West Coast Film Festival debuts in San Juan - OCRegister
Google News - over 5 years
Joy Page, left, and Humphrey Bogart appear in "Casablanca," the 1942 classic that won the Oscar for best picture. The movie will open the first West Coast Film Festival in San Juan Capistrano at 7 pm Sunday, Aug. 21. TEXT BY RICHARD CHANG,
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Humphrey Bogart on TCM: THE CAINE MUTINY, THE MALTESE FALCON, SAHARA - Alt Film Guide (blog)
Google News - over 5 years
Humphrey Bogart, the most revered Old Hollywood tough guy, is Turner Classic Movies' Star of the Day this Wednesday as TCM continues its "Summer Under the Stars" film series.[Humphrey Bogart Movie Schedule.] My favorite tough guy — by far — is Edward
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USPS stamp honors Hollywood director John Huston -
Google News - over 5 years
The artwork on the stamp is inspired by Huston's 1941 masterpiece "The Maltese Falcon" which starred Humphrey Bogart. Huston's film credits also include classics like "The Treasure of Sierra Madre", "The Asphalt Jungle" and "Prizzi's Honor
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Postal stamp honors Hollywood director John Huston - The Associated Press
Google News - over 5 years
It depicts Humphrey Bogart holding the statue of the falcon. Huston's credits also include the Academy Award nominated films "The Asphalt Jungle" (1950), "Moulin Rouge" (1952) and "Prizzi's Honor" (1985). The stamp is part of a four-stamp Great Film
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Blast from the past: Son of Humphrey Bogart, Bacall looks back in time at the ... - El Paso Times
Google News - over 5 years
A crowd of patrons waits patiently for the appearance of the late Humphrey Bogart's son, Stephen Humphrey Bogart. Humphrey Bogart was 44 when he met and fell in love with 19-year-old Lauren Bacall on the set of "To Have
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A fine romance - The Daily News Online
Google News - over 5 years
Actors Humphrey Bogart and Ingrid Bergman stand next to a piano in Rick's Cafe as actor Dooley Wilson, cast as Sam the pianist, plays the timeless tune, “As Time Goes By,” written by Harold Hupfeld. It's from the scene in the movie where Rick,
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Great Escape: Singles Movie Night -
Google News - over 5 years
Then, who better to turn to for advice than Woody Allen and Humphrey Bogart? The Samuel Field Y will host a screening of Herbert Ross's 1972 film, "Play It Again, Sam," which stars Allen as a film
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Katharine Hepburn Connecticut property on sale for US$28 million - RealEstateRama (press release)
Google News - over 5 years
But it was her role as ‘Rose Sayer’ in the 1951 film ‘The African Queen’ alongside Humphrey Bogart which earned her iconic status. Her first book ‘The Making of The African Queen’ made her a best-selling author at the age of 77
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The truth about a truth-stretcher - Philadelphia Inquirer
Google News - over 5 years
... no less) and then as a filmmaker - is the driving force behind each of these '40s classics: a historically reckless reenactment of Custer's last stand (with Errol Flynn as the goldilocks general); a taut on-the-lam thriller with Humphrey Bogart;
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Joshua Reviews Paul Bogart's Marlowe [Warner Archive DVD Review] - (blog)
Google News - over 5 years
Embodied on the silver screen by such icons as Humphrey Bogart and Robert Mitchum (both of whom starred in respective adaptations of The Big Sleep, Chandler's most famous, and first true, Marlow piece), The Warner Archive has given the world the chance
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Humphrey Bogart, Lauren Bacall Films At Wesleyan, With Exhibit - Hartford Courant
Google News - over 5 years
Wesleyan University is saluting the great Humphrey Bogart and Lauren Bacall with screenings of four of their most acclaimed films, and an accompanying exhibit of artifacts on their careers. "Bogie and Bacall" will be held Tuesdays in July at 7:30 pm at
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Double dose of Humphrey Bogart tops this week's listing of off-the-beaten-path ... -
Google News - over 5 years
By Mike Scott, The Times-Picayune It's a good week to be a fan of Humphrey Bogart, with not one but two of the actor's classic films on tap this week in New Orleans. They top this week's Thinking Outside the Box Office feature, highlighting upcoming
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Learn about memorable moments in the evolution of Humphrey Bogart
  • 1957
    Age 57
    Died on January 14, 1957.
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  • 1956
    Age 56
    He underwent corrective surgery in November 1956 after the cancer had spread.
    More Details Hide Details With time, he grew too weak to walk up and down stairs, valiantly fighting the pain yet still able to joke: "Put me in the dumbwaiter and I'll ride down to the first floor in style." It was then altered to accommodate his wheelchair. Frank Sinatra was a frequent visitor, as were Katharine Hepburn and Spencer Tracy. In an interview, Hepburn described the last time she and Tracy saw their dear friend, on January 13, 1957: Bogart fell into a coma and died in his bed the next day. He had just turned 57 twenty days prior and weighed only 80 pounds (36 kg). His simple funeral was held at All Saints Episcopal Church, with musical selections from favorite composers Johann Sebastian Bach and Claude Debussy. The ceremony was attended by some of Hollywood's biggest stars, including Hepburn, Tracy, Judy Garland, David Niven, Ronald Reagan, James Mason, Bette Davis, Danny Kaye, Joan Fontaine, Marlene Dietrich, James Cagney, Errol Flynn, Gregory Peck and Gary Cooper, as well as Billy Wilder and Jack Warner. Bacall had asked Tracy to give the eulogy, but he was too upset, so John Huston spoke instead. He reminded the gathered mourners that while Bogart's life had ended far too soon, it had been a rich one:
    A diagnosis was made several weeks later, but by then removal of his esophagus, two lymph nodes, and a rib on March 1, 1956, was too late to halt the disease, even with chemotherapy.
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    Bogart, a heavy smoker and drinker, had developed cancer of the esophagus. He almost never spoke of his failing health and refused to see a doctor until January 1956.
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  • 1955
    Age 55
    Bogart and Bacall also worked together on an early color telecast in 1955, an NBC adaptation of The Petrified Forest for Producers' Showcase, with Bogart receiving top billing and Henry Fonda playing Leslie Howard's role; a black and white kinescope of the live telecast has also survived.
    More Details Hide Details Bogart performed radio adaptations of some of his best known films, such as Casablanca and The Maltese Falcon. He also recorded a radio series called Bold Venture with Lauren Bacall. In 1995 newly developed digital technology allowed Bogart's image to be inserted in the Tales from the Crypt television episode "You, Murderer" as one of its many Casablanca references. The "Ingrid Bergman" character was played by her daughter Isabella Rossellini. Bogart was a founding member and original leader of the so-called Hollywood Rat Pack. In the spring of 1955, after a long party in Las Vegas attended by Frank Sinatra, Judy Garland, her husband Sid Luft, Mike Romanoff and wife Gloria, David Niven, Angie Dickinson and others, Lauren Bacall surveyed the wreckage and declared, "You look like a goddamn rat pack." The name stuck and was made official at Romanoff's in Beverly Hills. Sinatra was tabbed Pack Leader, Bacall Den Mother, Bogie Director of Public Relations, and Sid Luft Acting Cage Manager. When asked by columnist Earl Wilson what the group's purpose was, Bacall stated: "To drink a lot of bourbon and stay up late."
    Bogart rounded out 1955 with The Desperate Hours, directed by William Wyler.
    More Details Hide Details Mark Robson's The Harder They Fall (1956) was his last film. While Bogart rarely performed on television, he and Bacall appeared on Edward R. Murrow's Person to Person in which they disagreed in answering every question. Bogart was also featured on The Jack Benny Show. The surviving kinescope of the live telecast captures him in his only TV sketch comedy outing.
  • 1954
    Age 54
    Though he griped with some of his old bitterness about having to do so, he delivered a strong performance in the lead, earning him his final Oscar nomination as well as being the subject of the cover story in the June 7, 1954 issue of TIME.
    More Details Hide Details Yet for all his success, Bogart was still his melancholy old self, grumbling and feuding with the studio, while his health was beginning to deteriorate. The character of Queeg mirrored in some ways those Bogart had played in The Maltese Falcon, Casablanca and The Big Sleep–the wary loner who trusts no one—but without either the warmth or humor of those roles. Like his portrayal of Fred C. Dobbs in The Treasure of the Sierra Madre, Bogart played a paranoid, self-pitying character whose small-mindedness eventually destroyed him. Three months before the film's release, Bogart appeared as Queeg on the cover of TIME magazine, while on Broadway Henry Fonda was starring in the stage version (in a different role), both of which generated strong publicity for the film. In Sabrina, Billy Wilder wished to cast Cary Grant as the older male lead. Unable, he chose Bogart to play the elder, conservative brother who competes with his younger playboy sibling (William Holden) for the affection of the Cinderella-like Sabrina (Audrey Hepburn). Bogart was lukewarm about the part, but agreed to it on a handshake with Wilder, sans finished script but with the director's assurances he would take good care of Bogart during the filming. Nevertheless, Bogart got on poorly with his director and co-stars. He complained about the script and its last-minute drafting and delivery, and accused Wilder of favoring Hepburn and Holden on and off the set.
    Just three years after his Best Actor triumph in African Queen, Bogart dropped his asking price to get the role of Captain Queeg in Edward Dmytryk's 1954 drama The Caine Mutiny.
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  • 1952
    Age 52
    He never forgot Howard's favor, and in 1952 named his only daughter "Leslie Howard Bogart" after Howard, who had died in World War II under mysterious circumstances.
    More Details Hide Details Robert E. Sherwood remained a close friend of Bogart's. The film version of The Petrified Forest was released in 1936. Bogart's performance was called "brilliant", "compelling", and "superb." Despite his success in an "A movie," Bogart received a tepid twenty-six week contract at $550 per week and was typecast as a gangster in a series of "B movie" crime dramas. Bogart was proud of his success, but the fact that it came from playing a gangster weighed on him. He once said: "I can't get in a mild discussion without turning it into an argument. There must be something in my tone of voice, or this arrogant face—something that antagonizes everybody. Nobody likes me on sight. I suppose that's why I'm cast as the heavy."
  • 1951
    Age 51
    The role of cantankerous skipper Charlie Allnutt won Bogart his only Academy Award in three nominations, for Best Actor in a Leading Role in 1951.
    More Details Hide Details Bogart considered his performance to be the best of his film career. He had vowed to friends that if he won, his speech would break the convention of thanking everyone in sight. He advised Claire Trevor, when she had been nominated for Key Largo, to "just say you did it all yourself and don't thank anyone". But when Bogart won the Academy Award, which he truly coveted despite his well-advertised disdain for Hollywood, he said "It's a long way from the Belgian Congo to the stage of this theatre. It's nicer to be here. Thank you very much... No one does it alone. As in tennis, you need a good opponent or partner to bring out the best in you. John and Katie helped me to be where I am now". Despite the thrilling win and the recognition, Bogart later commented, "The way to survive an Oscar is never to try to win another one... too many stars... win it and then figure they have to top themselves... they become afraid to take chances. The result: A lot of dull performances in dull pictures".
    Working outside of his own Santana Productions, Bogart starred with Katharine Hepburn in the John Huston directed The African Queen in 1951.
    More Details Hide Details The C.S. Forester novel on which it was based was overlooked and left undeveloped for fifteen years until producer Sam Spiegel and Huston bought the rights. Spiegel sent Katharine Hepburn the book and she suggested Bogart for the male lead, firmly believing that "he was the only man who could have played that part". Huston's love of adventure, deep, longstanding friendship–and success–with Bogart, and a chance to work with Hepburn, convinced the actor to leave the comfortable confines of Hollywood for a difficult shoot on location in the Belgian Congo in Africa. Bogart was to get 30 percent of the profits and Hepburn 10 percent, plus a relatively small salary for both. The stars met up in London and announced the happy prospect of working together. Bacall came for the four-month-plus duration, leaving their young child to be cared for in L.A. The Bogarts started the trip with a junket through Europe, including a visit with Pope Pius XII. Later, the glamor would be gone and Bacall would make herself useful as a cook, nurse and clothes washer, earning her husband's praise: "I don't know what we'd have done without her. She Luxed my undies in darkest Africa". Just about everyone in the cast came down with dysentery except Bogart and Huston, who subsisted on canned food and alcohol. Bogart explained: "All I ate was baked beans, canned asparagus and Scotch whisky.
  • 1950
    Age 50
    Bogart performed in his final films for Warners, Chain Lightning, released early in 1950, and The Enforcer, early in 1951.
    More Details Hide Details Bogart's Santana Productions released its films through Columbia Pictures. Without letting up, Bogart starred in Knock on Any Door (1949), Tokyo Joe (1949), In a Lonely Place (1950), Sirocco (1951) and Beat the Devil (1954). Santana made two other films without him: And Baby Makes Three (1949) and The Family Secret (1951). While the majority lost money at the box office, ultimately forcing Santana's sale, at least two are well remembered today: In a Lonely Place is considered by many a high point in film noir. Bogart plays embittered writer Dixon Steele, whose history of violence lands him as top suspect in a murder case. At the same time he falls in love with an alluring but failed actress played by Gloria Grahame. It is considered among his best performances, and many Bogart biographers and actress/writer Louise Brooks feel the role is the closest to the real Bogart of any he played. She wrote that the film "gave him a role that he could play with complexity, because the film character's pride in his art, his selfishness, drunkenness, lack of energy stabbed with lightning strokes of violence were shared by the real Bogart". The character even mimics some of Bogart's personal habits, including twice ordering Bogart's favorite meal of ham and eggs.
  • 1949
    Age 49
    Bogart became a first-time father at age 49 when Bacall gave birth to Stephen Humphrey Bogart on January 6, 1949, during the filming of Tokyo Joe.
    More Details Hide Details The name was drawn from Bogart's character's nickname in To Have and Have Not, "Steve". Stephen would go on to become an author and biographer, later hosting a television special about his father on Turner Classic Movies. Three years later the couple's daughter, Leslie Howard Bogart, would draw her name from Bogart's friend and The Petrified Forest co-star, British actor Leslie Howard. The enormous success of Casablanca redefined Bogart's career. For the first time, Bogart could be cast successfully as both a tough, strong man and vulnerable love interest. Despite his elevated standing, he did not yet have a contractual right of script refusal. When he got weak scripts he simply dug in his heels and locked horns again with the front office, as he did on the film Conflict (1945). Though he submitted to Jack Warner on it, he successfully turned down God is My Co-Pilot (1945).
  • 1948
    Age 48
    In addition to being offered better, more diverse roles, Bogart started his own production company in 1948, Santana Productions, named after his sailing yacht (which also loaned her name to the cabin cruiser featured in the climax of that year's smash, Key Largo).
    More Details Hide Details Earning the right to create his own production company had left Warner Bros. head Jack Warner furious, and afraid other stars would do the same and further erode the major studios' power. In addition to the pressure they were bearing from freelancing actors like Bogart, James Stewart, Henry Fonda and others, they were beginning to buckle from the eroding impact of television and enforcement of anti-trust laws breaking up theater chains.
    He subsequently wrote an article "I'm No Communist" in the March 1948 edition of Photoplay magazine in which he distanced himself from The Hollywood Ten to counter the negative publicity resulting from his appearance.
    More Details Hide Details Bogart wrote: "The ten men cited for contempt by the House Un-American Activities Committee were not defended by us."
  • 1947
    Age 47
    Riding high in 1947 with a new contract which provided limited script refusal and the right to form his own production company, Bogart reunited with John Huston for The Treasure of the Sierra Madre, a stark tale of greed played out by three gold prospectors in Mexico.
    More Details Hide Details Without either a love interest or happy ending it was deemed a risky project. Bogart later said of co-star (and John Huston's father) Walter Huston, "He's probably the only performer in Hollywood to whom I'd gladly lost a scene". The film was shot in the heat of summer for greater realism and atmosphere, proving grueling to make. James Agee wrote, "Bogart does a wonderful job with this character... miles ahead of the very good work he has done before". John Huston won the Academy Award for direction and screenplay and his father won Best Supporting Actor, but the film had mediocre box office results. Bogart complained, "An intelligent script, beautifully directed—something different—and the public turned a cold shoulder on it". Bogart, a liberal Democrat, organized a delegation to Washington, D.C., called the Committee for the First Amendment, against what he perceived to be the House Un-American Activities Committee's harassment of Hollywood screenwriters and actors.
  • 1946
    Age 46
    On August 21, 1946, Bogart was honored in a ceremony at Grauman's Chinese Theater to record his hand and footprints in cement.
    More Details Hide Details On February 8, 1960, he was posthumously given a star on the Hollywood Walk of Fame at 6322 Hollywood Boulevard. During his career, Bogart was nominated for several awards including the BAFTA award for best foreign actor in 1952 for The African Queen and three Academy Awards. In 1997, the United States Postal Service honored Bogart with a stamp bearing his image in its "Legends of Hollywood" series as the third figure to be recognized. At a formal ceremony attended by Lauren Bacall, and the Bogart children, Stephen and Leslie, Tirso del Junco, the chairman of the governing board of the USPS, provided an eloquent tribute: "Today, we mark another chapter in the Bogart legacy. With an image that is small and yet as powerful as the ones he left in celluloid, we will begin today to bring his artistry, his power, his unique star quality, to the messages that travel the world."
  • 1945
    Age 45
    In California in 1945, Bogart bought a sailing yacht, the Santana, from actor Dick Powell.
    More Details Hide Details The sea was his sanctuary, spending about thirty weekends a year on the water, with a particular fondness for sailing around Catalina Island. He once said, "An actor needs something to stabilize his personality, something to nail down what he really is, not what he is currently pretending to be." He also joined the Coast Guard Temporary Reserve offering the use of his own yacht, Santana, for Coast Guard use. It was rumored Bogart attempted to enlist but was turned down because of his age. The suspenseful Dark Passage (1947) was Bogart and Bacall's next pairing. Its first third is shot from the Bogart's character's point of view, with the camera seeing what he sees. After his plastic surgery, the rest of the movie is shot normally, with Bogart intent on finding the real murderer in a crime he was blamed for and sentenced to prison.
    He and Bacall married in a small ceremony at the country home of Bogart's close friend, Pulitzer Prize-winning author Louis Bromfield, at Malabar Farm near Lucas, Ohio, on May 21, 1945.
    More Details Hide Details The marriage proved a happy one, though there were tensions due to their differences. Bogart's drinking sometimes inflamed tensions. He was a homebody and she liked nightlife; he loved the sea, which made her seasick. They adored each other for the rest of their lives.
    Bogart filed for divorce from Methot in February 1945.
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    The film was completed and slated for release in 1945, then withdrawn and substantially re-edited to add new, juiced-up scenes exploiting both the box office chemistry that shone between Bogart and Bacall in To Have and Have Not, and the notoriety of their personal relationship.
    More Details Hide Details At director Howard Hawks' urging production partner Charles K. Feldman agreed to Bacall's scenes being re-written to heighten the 'insolent' quality that had intrigued critics and audiences in that film. By chance, a 35-mm nitrate composite master positive (fine grain) of the 1945 version survived. The UCLA Film Archive, in association with Turner Entertainment and with funding provided by Hugh Hefner, restored and released it in 1996. Throughout filming Bogart was still torn between his new love and his sense of duty to his marriage. The mood on the set was tense, the actors both emotionally exhausted as Bogart tried to find a way out of his dilemma. The dialogue, especially in the newly shot scenes, was full of sexual innuendo supplied by Hawks, and Bogart proves convincing and enduring as private detective Philip Marlowe. In the end, the film was successful, though some critics found the plot confusing and overcomplicated. Reportedly a bemused Chandler himself could not answer baffled screenwriters' question over who killed the limousine driver early in the story.
  • 1943
    Age 43
    During part of 1943 and 1944, Bogart went on USO and War Bond tours accompanied by Methot, enduring arduous travels to Italy and North Africa, including Casablanca.
    More Details Hide Details Bogart met Lauren Bacall while filming To Have and Have Not (1944), a loose adaptation of the Ernest Hemingway novel. The movie has many similarities with Casablanca—the same enemies, the same kind of hero, even a piano player sidekick (played by Hoagy Carmichael). When they met, Bacall was 19 and Bogart 44. He nicknamed her "Baby." She had been a model since 16 and had acted in two failed plays. Bogart was drawn to Bacall's high cheekbones, green eyes, tawny blond hair, and lean body, as well as her poise and earthy, outspoken honesty. Reportedly he said, "I just saw your test. We'll have a lot of fun together". Their physical and emotional rapport was very strong from the start, their age difference and disparity in acting experience allowing the dynamic of a mentor-student relationship to emerge. Quite contrary to Hollywood norm, their affair was Bogart's first with a leading lady. He was still married and his early meetings with Bacall were discreet and brief, their separations bridged by ardent love letters. The relationship made it much easier for the newcomer to make her first film, and Bogart did his best to put her at ease with jokes and quiet coaching. He let her steal scenes and even encouraged it. Howard Hawks, for his part, also did his best to boost her performance and highlight her role, and found Bogart easy to direct.
  • 1942
    Age 42
    Bogart gained his first real romantic lead in 1942's Casablanca, playing Rick Blaine, a hard-pressed expatriate nightclub owner hiding from a shady past while negotiating a fine line among Nazis, the French underground, the Vichy prefect and unresolved feelings for his ex-girlfriend.
    More Details Hide Details The film was directed by Michael Curtiz and produced by Hal Wallis, and featured Ingrid Bergman, Claude Rains, Sydney Greenstreet, Paul Henreid, Conrad Veidt, Peter Lorre and Dooley Wilson. An avid chess player, Bogart reportedly had the idea that Rick Blaine be portrayed as one, a metaphor for the sparring relationship he maintained with friends, enemies, and tenuous allies. In real life Bogart played tournament level chess one division below master, often enjoying games with crew members and cast, but finding his better in the superior Paul Henreid. The on-screen magic of Bogart and Bergman was the result of two actors working at their best, not any real-life sparks, though Bogart's perennially jealous wife assumed otherwise. Off the set, the co-stars hardly spoke. Bergman, who had a reputation for affairs with her leading men, later said of Bogart, "I kissed him but I never knew him." Because Bergman was taller, Bogart had blocks attached to his shoes in certain scenes.
  • 1941
    Age 41
    High Sierra, a 1941 film directed by Raoul Walsh, had a screenplay written by Bogart's friend and drinking partner, John Huston, adapted from the novel by W. R. Burnett (Little Caesar, etc.).
    More Details Hide Details Both Paul Muni and George Raft turned down the lead role, giving Bogart the opportunity to play a character of some depth, although legendary director Walsh initially fought the casting of supporting player Bogart as a leading man, much preferring Raft for the part. The film was Bogart's last major film playing a gangster (only a supporting role in 1942's The Big Shot followed). Bogart worked well with Ida Lupino, and her relationship with him was close, provoking jealousy from Bogart's wife, Mayo. The film cemented a strong personal and professional connection between Bogart and Huston. Bogart admired and somewhat envied Huston for his skill as a writer. Though a poor student, Bogart was a lifelong reader. He could quote Plato, Pope, Ralph Waldo Emerson, and over a thousand lines of Shakespeare. He subscribed to the Harvard Law Review. He admired writers, and some of his best friends were screenwriters, including Louis Bromfield, Nathaniel Benchley, and Nunnally Johnson. Bogart enjoyed intense, provocative conversation and stiff drinks, as did Huston. Both were rebellious and liked to play childish pranks. Huston was reported to be easily bored during production, and admired Bogart (also bored easily off camera) not just for his acting talent but for his intense concentration on the set.
  • 1938
    Age 38
    On August 21, 1938, Bogart entered into a disastrous third marriage, with actress Mayo Methot, a lively, friendly woman when sober but paranoid and physical when drunk.
    More Details Hide Details She became convinced Bogart was cheating on her. The more the two drifted apart, the more she drank, in her fury throwing plants, crockery, anything close at hand, at him. She set their house on fire, stabbed him with a knife, and slashed her wrists on several occasions. Bogart for his part needled her mercilessly and seemed to enjoy confrontation. Sometimes he turned violent. The press accurately dubbed them "the Battling Bogarts." "The Bogart-Methot marriage was the sequel to the Civil War," said their friend Julius Epstein. A wag observed that there was "madness in his Methot." During this time, Bogart bought a motor launch, which he named Sluggy, his nickname for hot-tempered Methot. Despite his proclamations that, "I like a jealous wife," "We get on so well together (because) we don't have illusions about each other," and, "I wouldn't give you two cents for a dame without a temper," it was a highly destructive relationship.
    In 1938, Warner Bros. put Bogart in a "hillbilly musical" called Swing Your Lady as a wrestling promoter; he later apparently considered this his worst film performance.
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  • 1937
    Age 37
    After the play closed she relented, but insisted on continuing her career and the couple divorced in 1937.
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  • 1936
    Age 36
    Between 1936 and 1940 he averaged a movie every two months, at times working on two simultaneously.
    More Details Hide Details Amenities at Warners were few compared to the prestigious Metro-Goldwyn-Mayer. Bogart thought that the Warners wardrobe department was cheap, and often wore his own suits in his movies. In High Sierra, Bogart used his own pet dog Zero to play his character's dog, Pard. Bogart's disputes with Warner Bros. over roles and money were similar to those the studio waged with other high-spirited, less-than-obedient stars such as Bette Davis, James Cagney, Errol Flynn, and Olivia de Havilland. The leading men ahead of Bogart at Warner Bros. included not only such marquee names as James Cagney and Edward G. Robinson, but also journeymen leads such as Victor McLaglen, George Raft, and Paul Muni. Most of the studio's better movie scripts went to them, leaving Bogart with what was left. He made films like Racket Busters, San Quentin, and You Can't Get Away with Murder. The only substantial leading role he got during this period was in Dead End (1937), while loaned to Samuel Goldwyn, where he portrayed a gangster modeled after Baby Face Nelson.
  • 1934
    Age 34
    Bogart starred in the Broadway play Invitation to a Murder at the Theatre Masque, now the John Golden Theatre, in 1934.
    More Details Hide Details The producer Arthur Hopkins heard the play from off-stage and sent for Bogart to play escaped murderer Duke Mantee in Robert E. Sherwood's new play, The Petrified Forest. Hopkins recalled: The play had 197 performances at the Broadhurst Theatre in New York in 1935. Leslie Howard, though, was the star. New York Times critic Brooks Atkinson said of the play, "a peach... a roaring Western melodrama... Humphrey Bogart does the best work of his career as an actor." Bogart said the play "marked my deliverance from the ranks of the sleek, sybaritic, stiff-shirted, swallow-tailed 'smoothies' to which I seemed condemned to life." However, he was still feeling insecure. Warner Bros. bought the screen rights to The Petrified Forest. The play seemed perfect for the studio, which was famous for its socially realistic, urban, low-budget action pictures, especially for a public entranced by real-life criminals like John Dillinger (whom Bogart resembled) and Dutch Schultz. Bette Davis and Leslie Howard were cast. Howard, who held production rights, made it clear he wanted Bogart to star with him.
    His parents had separated, his father dying in 1934 in debt, which Bogart eventually paid off.
    More Details Hide Details Bogart inherited his father's gold ring which he always wore, even in many of his films. At his father's deathbed, Bogart finally told him how much he loved him. His second marriage was on the rocks, and he was less than happy with his acting career. He became depressed, irritable, and drank heavily.
  • 1930
    Age 30
    Bogart shuttled back and forth between Hollywood and the New York stage from 1930 to 1935, suffering long periods without work.
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  • 1928
    Age 28
    Bogart's film debut was with Helen Hayes in the 1928 two-reeler The Dancing Town, of which a complete copy has never been found.
    More Details Hide Details He also appeared with Joan Blondell and Ruth Etting in a Vitaphone short, Broadway's Like That (1930) which was re-discovered in 1963. Bogart then signed a contract with Fox Film Corporation for $750 a week. There he met Spencer Tracy, a serious Broadway actor whom Bogart liked and admired, and they became close friends and drinking companions. It was Tracy, in 1930, who first called him "Bogie". Tracy made his film debut in the only film in which he and Bogart appeared together, John Ford's early sound film Up the River (1930). Both had major roles as inmates. Tracy received top billing and Bogart's face was featured on the film's posters instead of Tracy's. Bogart then had a minor supporting role in Bad Sister with Bette Davis in 1931. Decades later, Tracy and Bogart planned to make The Desperate Hours together, but both sought top billing, so Tracy dropped out and was replaced by Fredric March.
    On April 3, 1928, he married Mary Philips, whom he'd met when they appeared in the play Nerves during its very brief run at the Comedy Theatre in September 1924, at her mother's apartment in Hartford, Connecticut.
    More Details Hide Details She, like Menken, had a fiery temper, and, like every other Bogart spouse, was an actress. After the stock market crash of 1929, stage production dropped off sharply, and many of the more photogenic actors headed for Hollywood.
  • 1922
    Age 22
    Early in his career, while playing double roles in the play Drifting at the Playhouse Theatre in 1922, Bogart met actress Helen Menken. They were married on May 20, 1926, at the Gramercy Park Hotel in New York City. Divorced on November 18, 1927, they remained friends.
    More Details Hide Details
    Preferring to learn as he went, Bogart never took acting lessons. He was persistent and worked steadily at his craft, appearing in at least seventeen Broadway productions between 1922 and 1935.
    More Details Hide Details He played juveniles or romantic second-leads in drawing room comedies, and is said to have been the first actor to ask "Tennis, anyone?" on stage. Critic Alexander Woollcott wrote of Bogart's early work that he "is what is usually and mercifully described as inadequate." Some reviews were kinder. Heywood Broun, reviewing Nerves wrote, "Humphrey Bogart gives the most effective performance... both dry and fresh, if that be possible". He played juvenile lead, reporter Gregory Brown, in the comedy Meet the Wife, written by Lynn Starling, which had a successful run of 232 performances at the Klaw Theatre from November 1923 through July 1924. Bogart loathed these trivial, effeminate parts he had to play early in his career, calling them "White Pants Willie" roles.
  • 1921
    Age 21
    A few months later he made his stage debut as a Japanese butler in Alice's 1921 play Drifting, nervously speaking one line of dialog.
    More Details Hide Details Several appearances followed in her subsequent plays. While Bogart had been raised to believe that acting was beneath a gentleman, he liked the late hours actors kept and enjoyed the attention gotten on stage. He stated, "I was born to be indolent and this was the softest of rackets." He spent a lot of his free time in speakeasies and became a heavy drinker. A barroom brawl during this time joins the list of purported causes of Bogart's lip damage, and coincides better with the Brooks account.
  • 1918
    Age 18
    With no viable career options, Bogart followed his passion for the sea and enlisted in the United States Navy in the spring of 1918.
    More Details Hide Details He recalled later, "At eighteen, war was great stuff. Paris! Sexy French girls! Hot damn!" Bogart is recorded as a model sailor who spent most of his sea time after the Armistice ferrying troops back from Europe. It was during his naval stint that Bogart may have received his trademark scar and developed his characteristic lisp, though the actual circumstances are unclear. In one account his lip was cut by shrapnel when his ship, the, was shelled, although some claim Bogart did not make it to sea until after the Armistice had been signed. Another version, which Bogart's long-time friend, author Nathaniel Benchley, holds to, is that Bogart was injured while taking a prisoner to Portsmouth Naval Prison in Kittery, Maine. Changing trains in Boston the handcuffed prisoner allegedly asked Bogart for a cigarette, then while Bogart looked for a match, the prisoner smashed him across the mouth with the cuffs, cutting Bogart's lip and fleeing. Recaptured, the prisoner was taken to jail. An alternate version has Bogart struck in the mouth by a handcuff loosened while freeing his charge, the other still around the prisoner's wrist.
    His parents hoped he would go on to Yale, but in 1918 Bogart was expelled.
    More Details Hide Details Several reasons have been given: one claims that it was for throwing the headmaster (or a groundskeeper) into Rabbit Pond on campus. Another cites smoking, drinking, poor academic performance, and possibly some inappropriate comments made to the staff. A third has him withdrawn by his father for failing to improve his grades. Whatever caused his premature departure, his parents were deeply dismayed and rued their failed plans for his future.
  • 1900
    Age 0
    Sperber and Lax also noted that a birth announcement, printed in the Ontario County Times on January 10, 1900, effectively rules out the possibility of a January 23 birthdate; and state and federal census records from 1900 report a Christmas 1899 birthdate as well.
    More Details Hide Details Bogart's father, Belmont, was a cardiopulmonary surgeon. His mother, Maud, was a commercial illustrator who received her art training in New York and France, including study with James McNeill Whistler. Later she became art director of the fashion magazine The Delineator and a militant suffragette. She used a drawing of baby Humphrey in a well-known advertising campaign for Mellins Baby Food. In her prime, she made over $50,000 a year, then a vast sum and far more than her husband's $20,000. The Bogarts lived in a fashionable Upper West Side apartment, and had an elegant cottage on a 55-acre estate on Canandaigua Lake in upstate New York. As a youngster, Humphrey's gang of friends at the lake would put on theatricals. Humphrey had two younger sisters, Frances ("Pat") and Catherine Elizabeth ("Kay"). His parents were busy in their careers and frequently fought. Very formal, they showed little emotion towards their children. Maud told her offspring to call her "Maud" not "Mother", and showed little if any physical affection for them. When pleased she "clapped you on the shoulder, almost the way a man does", Bogart recalled. "I was brought up very unsentimentally but very straightforwardly. A kiss, in our family, was an event. Our mother and father didn't glug over my two sisters and me."
  • 1899
    Bogart was born on December 25, 1899, in New York City, the eldest child of Dr. Belmont DeForest Bogart (1867 – 1934) and Maud Humphrey (1868 – 1940).
    More Details Hide Details Belmont was the only child of the unhappy marriage of Adam Watkins Bogart, a Canandaigua, New York innkeeper, and his wife, Julia, a wealthy heiress. The name "Bogart" comes from the Dutch surname "Bogaert". Belmont and Maud married in June 1898, he was Presbyterian of English and Dutch descent, she an Episcopalian of English heritage. Young Humphrey was raised in the Episcopal faith, but was non-practicing for most of his adult life.
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