Morris Stoloff

As music director, he was the chief executive responsible for providing musical production support to every film the studio released. This meant matching up composers, orchestrators, conductors, musicians and recording facilities to meet the creative scope of each project as well as its schedule and budget.

Stoloff often took partial credit for a picture's score when he worked closely with a particular composer to work out a theme, motifs, and melodies. As a result, he ranks among some of the most-nominated individuals in the history of the Academy Awards. He won three Oscars for best scores, including those for Cover Girl (1944), The Jolson Story (1946), and Song Without End (1960), and was nominated 14 other times.

By the late 1940s, film music was beginning to be recognized on its own, and Stoloff began recording some of the more popular numbers as singles for Decca Records. When long-play albums were perfected, the studios saw the opportunity to market more than just singles to the listening audience, and soundtrack albums became a hot commodity. Stoloff exercised his privilege as musical director to record these soundtrack albums himself, working with material from the actual scores. Read Less