Nanette Fabray

The following year, she made her first film appearance as an extra in the Our Gang short Cradle Robbers. She spent much of her childhood appearing in vaudeville productions as a dancer and singer. She appeared with stars such as Ben Turpin.

Fabray's parents divorced when she was nine, but continued living together for financial reasons. During the Great Depression, her mother turned their home into a boarding house, which Fabray and her siblings helped run. In her early teenage years, Fabray attended the Max Reinhardt School of the Theatre on a scholarship. Read Less

In the show, she sang the opera aria "Caro nome" from Giuseppe Verdi's Rigoletto while tap dancing. During the show's New York run, Fabray was invited to perform the "Caro nome" number for a benefit at Madison Square Garden with Eleanor Roosevelt as the main speaker. Ed Sullivan was the Master of Ceremonies for the event and the famed host, reading a cue card, mispronounced her name as "Nanette Fa-bare-ass." After this embarrassing faux pas, the actress changed the spelling of her name from Fabares to Fabray. Artur Rodziński, conductor of the New York Philharmonic, saw Fabray's performance in Meet the People and offered to sponsor operatic vocal training for her at the Juilliard School. She studied opera at Juilliard during the latter half of 1941 while performing in her first Broadway musical, Cole Porter's Let's Face It!, with Danny Kaye and Eve Arden. She decided that she preferred musical theatre over opera and withdrew from the school after five months. She became a successful musical theatre actress in New York during the 1940s and early 1950s, starring in such productions as By Jupiter (1942), My Dear Public (1943), Jackpot (1944), Bloomer Girl (1946), High Button Shoes (1947), Arms and the Girl (1950), and Make a Wish (1951). Read Less