Nick Rhodes

The club owners became the band's managers, and Rhodes began working at the club as a disc jockey.

The band achieved rapid success, and Rhodes was a driving force throughout. An unschooled musician, he experimented with the sounds his analogue synthesisers were capable of, but shied away from the "novelty" sounds of some other early synth bands. The distinctive warble of "Save A Prayer", the keyboard stabs of "A View to a Kill", and the string sounds of "Come Undone" and "Ordinary World" are some of his most recognizable creations, as well as the futuristic oscillating synth that characterised Duran Duran's self titled first album. He also popularised the Crumar Performer on the early records.

Rhodes was also quick to recognise the potential of the music video, and pushed the band to put more effort into their early videos than seemed warranted at the time (before the advent of MTV). Barely twenty when the band hit major stardom, he cultivated an androgynous and sometimes flamboyant image, wore heavy makeup, and changed his hair colour at whim. Read Less

Throughout the 1990s, Rhodes worked on a side project called TV Mania with Duran bandmate Cuccurullo. They created a self-described "social junk culture triptych opera" composed of music, dialogue, samples, and "found sound," and hoped to make it into a Broadway play. The music and packaging have reportedly been finished, but they have not found a label to release it.

In 1999, Rhodes reunited with Duran Duran's original vocalist, Stephen Duffy, to create new music based on some of the earliest Duran music the two had written together. The result was the album Dark Circles, released under the name The Devils.

Also in 1999, Rhodes had a small guest appearance (in voice only) as a Canadian bomber pilot in South Park: Bigger, Longer & Uncut.

In 2006 Rhodes and John Taylor collaborated on the compilation album Only After Dark. Read Less

Rhodes' is the second cousin of Exide guitarist Tom Bates. Read Less