Vanessa Redgrave

She won four Evening Standard Awards for Best Actress in four decades. She was awarded the Laurence Olivier Award for Actress of the Year in a Revival in 1984 for The Aspern Papers

In the 1990s, her theatre work included Prospero in The Tempest at Shakespeare's Globe in London. In 2003 she won a Tony Award for Best Actress in a Play for her performance in the Broadway revival of Eugene O'Neill's Long Day's Journey Into Night. In January 2006, Redgrave was presented the Ibsen Centennial Award for her "outstanding work in interpreting many of Henrik Ibsen's works over the last decades." Previous recipients of the award include Liv Ullmann, Glenda Jackson and Claire Bloom. Read Less

Redgrave's performance in Julia garnered an Academy Award for Best Supporting Actress. Accepting the award, Redgrave said:

Later in the broadcast veteran screenwriter and Oscar presenter Paddy Chayefsky told the audience members that

In 1978, Rabbi Meir Kahane published a book entitled Listen Vanessa, I am a Zionist, which was later renamed Listen World, Listen Jew, in direct response to Redgrave's comments at the Academy Awards. To this day some Jewish groups, such as the Jewish Defense League, consider Redgrave an opponent and a supporter of terrorism, citing remarks she has made such as, "Zionism is a brutal, racist ideology. And it is a brutal racist regime."

Later film roles of note include those of suffragist Olive Chancellor in The Bostonians (1984, a fourth Best Actress Academy Award nomination), transsexual tennis player Renée Richards in Second Serve (1986); Mrs. Wilcox in Howards End (1992, her sixth Academy Award nomination, this time in a supporting role); crime boss Max in Mission: Impossible (1996, when discussing the role of Max, DePalma and Cruise thought it would be fun to cast an actor like Redgrave; they then decided to go with the real thing); Oscar Wilde’s mother in Wilde (1997); Clarissa Dalloway in Mrs. Dalloway (1997); and Dr. Sonia Wick in Girl, Interrupted (1999). Many of these roles and others, garnered her various accolades. Read Less

In fact, they violate these laws in the most despicable and obscene way, I would say.”

Goodman’s interview with Redgrave took place in the actress’s West London home on the evening of 7 March, and covered a range of subjects, particularly the cancellation of the Alan Rickman production, My Name is Rachel Corrie, by the New York Theater Workshop. Such a development, said Redgrave, was an "act of catastrophic cowardice" as "the essence of life and the essence of theatre is to communicate about lives, either lives that have ended or lives that are still alive, about beliefs, and what is in those beliefs." Read Less